He'll be fine.

I haven't seen much discussion of Summertime Render during its two-cours run. This is understandable due to, ah, let's just say, "a variety of reasons," but it is sort of a shame because it's one of the better anime I've watched during 2022 so far. It's not the best one, but it's at least in good company, even if I can't quite figure out whether it's supposed to be Summertime Render, Summer Time Render, Summertime Rendering, or Summer Time Rendering. What a mess.

Ushio spends much of the show only wearing a swimsuit, but she gets by.

I started watching it because I figured it was going to be an anime about a ghost girlfriend haunting Potato-kun. It turns out it's more about time loops and the challenges faced when confronted by an adversary who is also able to exploit time loops. The events and where they fit in the timeline start to get somewhat complex, and does require a fair amount of attention if the viewer hopes to keep track of who knows what at each particular point in time. Fortunately, the characters have ways of copying and transfering memories quickly, so the show doesn't get bogged down with constant exposition to bewildered accomplices.

I like Mio's SAKANA shirt.

There is still one episode left in the Summertime Render anime, and I have no idea whether this will be mostly an epilogue, or whether it's going to be a high-intensity scramble to wring out the best-possible outcome from one last opportunity. Hell, I haven't even ruled out the chance that it's going to conclude the series on a cliffhanger. This is a cliffhanger-heavy show in general, so it would be in keeping with the tone of many of the previous episodes. Expect some griping on my part if that happens, though. Still, the source manga has concluded, so things will probably be fine for the final episode. Probably. Maybe.

This is how everyone sees Honda Tohru and yet people
still manage to be assholes to her.

It's sort of difficult to talk about Fruits Basket: The Final because it's a 13-episode conclusion in a 63-episode adaptation of a well-regarded 23-volume manga. It's also a do-over succeeding a 26-episode series from 20 years ago which was also really good even though the source material hadn't ended yet. So, there's a lot going on.

Is cat.

I do wish I had paid closer attention when I started watching this iteration of Fruits Basket when it began in 2019. There are a lot of characters, and there is a lot of setup, and I'm certain I missed a lot of subtleties early on. I suppose that is an argument in favor of re-watching the series, even if it is 63 episodes long, but that isn't going to happen until I've finally gotten around to reading the source material. It's gonna be a while.

This bedroom is fantastic.

Probably everyone who has heard about Fruits Basket also knows opinions about it are almost universally favorable. Likewise, anyone thinking about getting into the series probably knows at least as much as I did concerning what it's ostensibly "about" before I watched the first anime (the 2001 one with Hocchan). One thing that surprised me as I got deeper into the plot is how monstrous the zodiac aspects are regarded in-universe. They're not set up that way at the start of the series at all.

Look, a rotary phone.

I don't really want to write about Fruits Basket, since it's basically one of those shows where you can just sort of say, "Look, everyone says it's good. It is good. Just watch it." I can also see how it might not be for everyone. You have to have to have an appetite for romance and a tolerance for assholes. So many assholes. Honda Tohru is, like, the nicest, sweetest, goodest girl in the entire world and she's constantly surrounded by bitches being bitches and assholes being assholes. Back the fuck away from Honda Tohru, people.

People are also assholes to Machi.

I guess viewers also have to be okay with "problematic" 'ships. I don't know if this heightened anxiety is an actual sign of the times, or if it's just localized sensitivity found on the Twitter. There are multiple age-gap pairings. There are people being mean to the people they love. Honda Tohru's mom dies. It's a whole thing. I guess the Fruits Basket 'ships are less "problematic" than the ones in Card Captor Sakura, but if these are the sorts of things that genuinely bother you, shoujo might not be for you.

This is a picture of Mujina that doesn't show her thighs.

First off, SSSS.DYNAZENON is excellent. After this show and SSSS.GRIDMAN, I feel like Studio Trigger has finally figured out how to convey the sort of interpersonal tension and emotional baggage that they were trying to get right in Kiznaiver. As you may have surmised, the kaiju monster v. robot battles in SSSS.DYNAZENON are sort of incidental to the show's success. I mean, they're entertaining, but the series really is about the characters.

Both of them get their shit together. P.S. Spoilers.

If there's a weak spot, it's that I never cared that much about Yomogi. He's fine, but Koyomi (the NEET) had a much more interesting character arc. The bait & switch SSSS.GRIDMAN pulled with its leads was critical to its success, and I was sort of hoping SSSS.DYNAZENON would do something similar, but it worked out anyway. I don't know what this next thing is going to be, but I am looking forward to more.

I like it when they show the hidden eye of hidden-eye characters.

As I said recently, Back Arrow is bullshit. Appropriately, its ending is also bullshit, and none of that matters because I wouldn't have it any other way. Do the end-of-series reveals make any sense? Enough so, I guess. Do I wish they seemed more sensible? Not at all. How much you enjoy this show very much depends on your expectations for it. Ideally, you should expect scenery to get chewed. And how.

I came here to sing songs and kick ass, and I'm all out of songs. (Well, except one.)

Based on reactions I saw on the Twitter and elsewhere, reactions to the ending of Vivy -Fluorite Eye’s Song- are generally negative. I think most of the dissatisfaction has to do with logical inconsistencies, lazy storytelling, and not making any damn sense. Basically every criticism I've seen has been valid, although I'm considerably more positive about the show overall than its detractors. Potentially, this has to do with expectations and me setting a pretty low narrative hurdle for Vivy to clear. Possibly, I just have a soft spot for singing robots the way Jenny Nicholson has a soft spot for animatronics.

Extremely loose birth control glasses is somebody's fetish.

Godzilla Singular Point also recently ended. Y'know, there was a lot less Godzilla in a show about Godzilla than I was expecting. Unfortunately, what the show was mostly about was barely comprehensible technobabble. It had some neat ideas, but I'm not really sure a Godzilla anime was the right vehicle for it. Really, they could have just done that story on its own, separately, without involving Godzilla at all. (And they almost sort of did.) The other part of Singular Point, though, with the dudes and their extremely Kugimiya Rie robot, was a lot more fun, even if none of those characters wore birth control glasses.

Lucky for Mei, her extremely loose birth control glasses stay on when she runs.

I still enjoyed Godzilla Singular Point overall, but I don't know that I would recommend it to anyone who isn't obsessed with grad students who always dress like it's laundry day. For that matter, SSSS.DYNAZENON is probably the only one of these four that I would recommend without qualification. Back Arrow, I can recommend to people who enjoy bullshit and fucked-up bangs. Vivy -Fluorite Eye’s Song-, I can recommend to people with fond memories of Chuck E. Cheese. Also, robosexuals.

Emiru is probably remembering that everyone at school still thinks she's nuts.

Now well past the halfway mark, Hugtto! Precure is better than it has any right to be. Based on the number of strikes it normally would have against it, I shouldn't be enjoying it so much. Namely, it's got a magic baby. It has a shrimpy Cure. And it has my least favorite battle costumes of the entire franchise. It turns out, though, that the magic-baby scenes are not as objectionable as I had feared (although I could still do without them). The battle costumes are tragic; I guess that's not going to change. On the plus side, though, the shrimpy Cure is tops.

Actually, most of the cast is pretty good.

Cure Muse basically ruined shrimpy Cures for me. Cure Ace, I guess she was okay. Aguri was definitely more endearing than Ako. Emiru, though, as Cure Ma Chérie? Emiru is frickin' great. It's mostly because she's completely neurotic, which we got to see ahead of time in her two really good pre-transformation introductory episodes. It also helps that she's partnered with RUR-9500. The two of them bring out the best in each other's scenes. I suppose I can't quite say the same thing about Cure Amour, although they are fine together as well. After all, they do have beam-rifle guitars.

This bus did not have safety glass.

More people probably would have watched Punch Line if they had banked on its noitaminA time slot instead of its first episode. I know a lot of people were immediately dissuaded from watching the series due to its premise. "A teenage boy develops superpowers whenever he sees panties? What is this ridiculous fan service horseshit?" It turns out the real problem with Punch Line is that it has too much plot. Thus, anime fans who might have enjoyed the time looping, mystery, and conspiracy components of the show but were turned away by an aversion to fan service missed out on the series. Likewise, many anime fans who wanted PANTIES and FIGHTING and PANTIES may have been let down by the more serious parts of the show.

It's because he saw panties.

I belong to the latter camp. While I did not find anything particularly wrong with the Punch Line plot, it brought a lot more complexity to the show than I was expecting. I basically wanted an entire series about Strange Juice doing Strange Juice things and maybe stupid missions assigned by the talking cat ghost. Instead, Strange Juice was barely in the show and I ended up finishing the series almost entirely due to the charm Kugimiya Rie brought to her character, Meika.

Angela Balzac shows Dingo how large the pizzas are in DEVA.

The past couple of years have been pretty good for Kugimiya Rie roles, as it appears she has moved beyond the tiny, flat-chested modern tsundere typecasting that plagued her for so long. Notably, she was excellent in Rakuen Tsuihō (Expelled from Paradise) as Angela Balzac (admittedly another tsundere, but fortunately the neoclassical variety). Ordinarily I would not have expected her in a role like this, but she did an outstanding job. The movie itself is also excellent, so I'm definitely buying the Blu-ray when it comes out later this week.

Co-starring Kugimiya Rie. Natch.

Just because I stop watching a show doesn't mean I've dropped it. This is the case with nearly every show in my Also Watching category, some of which have had zero progress in over two years. With regard to this season's new shows, I am way behind on Mangaka-san to Assistant-san to and Mushishi Zoku Shou, albeit for different reasons.

Relax, it's cool. He's her teacher.

I'm watching fewer shows autumn 2013 than I usually do. I suppose on average it's still about one episode each night, but with less time watching anime and less attention devoted to The Twitter, I do have noticeably more time to pursue other interests—to include updating an anime blog that's nearly in its 13th year.