Three leagues, then the road ran, and turned into a puzzle. It joined with another and a larger road at right angles.

So reads "Roads of Destiny" by William Sydney Porter, better known as O. Henry, the American author famous for the Christmas classic, "The Gift of the Magi." In "Roads of Destiny," a wretched shepherd is vexed by fate to reach the same ultimate destination regardless of the choices he makes. Conversely, the gimmick behind Amagami SS is that it is a harem comedy with four-episode arcs and (I assume) four separate destinations—one for each girl. There are six girls in the OP, so presumably Amagami SS will run for two cours, although currently only 13 episodes are confirmed. On the one hand, this addresses one of the primary complaints about harem comedies in general—that Male Protagonist typically picks the "wrong" girl. On the other hand, the climaxes to these four-episode arcs come really fast.

Renting swimsuits sounds kinda gross.

If you watched the first arc, wherein Potato-kun inexplicably lands an older school idol for no clearly discernible reason (or at least not a reasonably plausible one), you may also be confounded by the bald implausibility of this most unlikely coupling, even if Junichi is the rebound guy for Haruka's dog. Well, confounded by that and the couple's complete lack of chemistry together.

Really, I think it's being charitable.

Then again, maybe not. Reactions to Amagami SS have been much more positive than I ever would have anticipated, especially among viewers that typically lambaste harem comedies on general principle. That mildly amusing, inoffensive fluff shows with moments of genuine charm such as Tokimeki Memorial ~Only Love~ can't catch a break while the back-of-the-knee kissing scene in Amagami SS garners such praise is probably indicative of something about the nature of anime fans and their views regarding relationships, but not anything I care to contemplate. Then again, I've joked in the past about a theoretical back-of-the-knee fetish gripping the scene to succeed the already niche armpit fetish, but now I'm starting to wonder if maybe it's real. That's my best-case-scenario explanation for the popularity of Amagami SS episode three at least.

You should see the uncensored version.

Despite personally lacking any predisposed compunctions toward viewing harem comedies negatively, I mostly disliked Amagami SS episode three in its entirety. I couldn't stand all the begging. Seriously, guy, even Urashima Keitaro wasn't so eager to sell out what dignity he had left. Then again, Urashima Keitaro didn't exactly get a lot of back-of-the-knee action either. I guess we'll never know if it's because he didn't beg enough or if it's because Narusegawa Naru wasn't the kind of girl who puts out on the first date. [Spoilers: Haruka puts out. And how.]

This worked a lot better than Yamada Eye.

So where are we now? From the looks of it, Potato-kun is going to take a different fork and parallel-universe his way into Sex Hair's (presumably) persistently unmade bed. Expect three more episodes of wining & dining (read: lots of begging) followed by episode-eight supining before Junichi moves on to trophy-fucklove the remaining four girls: the one with brown hair that doesn't think she's fat, the one with presumably crushingly strong swimmer thighs, the one that thinks she's fat, and the seemingly normal earnest one that's probably CRAZY-BROKEN inside. Maybe that hikikomori panic room planetarium of his is actually a portal to alternate dimensions. Potato-kun sure has his work cut out for him.

Take a cell phone picture and set it as your wallpaper, Junichi. Do it.

So what does this have to do with "Roads of Destiny"? I predict my biggest complaint about Amagami SS, assuming I make it to the end of its 13 or 24 or whatever episodes—ahead of my complaint about Junichi being such a loser, ahead of my complaint about Junichi not having any chemistry with Haruka (and potentially none of the other girls either), and ahead of my complaint about the show's rushed four-episode pace—will be my complaint that we'll suffer through the First Girl He Sees Clause six freaking times. I appreciate that Amagami SS is a galge adaptation and thus compelled to retain the same lead male throughout—preventing any Hatsukoi Limited narrative weaving, but for crying out loud. What the show ought to do is have Junichi ultimately end up with the same girl every single time, regardless of the path he takes or who he dates on his way there. School Days aside, there must be some anime law compelling monogamy or something, even if it's The Disappearance of Nice Boat variety of monogamy.

Tiny pictures are the way of love.

Shinichi loves Ran even though she has legs that go up to her neck.

Tiny pictures are the way of love, Yamada.

I had extremely low expectations of B Gata H Kei and only watched the first episode as a goof. Pleasantly surprised, it looks like be watching more because this first episode is brilliant. I knew the basic premise of the show's 4-koma roots: sex-crazed virgin high school girl ends up pursuing monogamous relationship with Potato Guy. It's a stupid or wonderful premise depending on your point of view, but either way it's hilarious in execution.

Kosuda is lucky Yamada didn't want a bigger dictionary.

Like Divine, I had initial reservations about Tamura Yukari voicing the lead girl, but she's perfect. It turns out B Gata H Kei is basically Ranpha ~The Early Years~, so Yukarin's high-school-Ranpha voice is sex-comedy perfection here.

I was much less surprised by Horie Yui's character than Noto Mamiko's.

In light of my low expectations for Spring 2010, discovering B Gata H Kei is hilarious is a very welcome surprise. Of course, your mileage may vary; comedy is a tricky thing. In my view, the most important factor is timing, not material. Since the comedic timing in B Gata H Kei has been spot on, the show works for me.

Whatever they're paying Yamada's Sex God it's not enough.

More accurately, its first episode works for me. However, I've watched too much anime to judge a show's merits entirely on its first episode. That path is quite precarious. Even a good show can lose its viewers if the follow-up episodes of a series depart substantially from expectations created by a strong first episode. Consider how many people felt betrayed after the incredible first episode of Futakoi Alternative.

Sara finds Rentarou.

Taken in its entirety, I view Futakoi Alternative as an excellent series (even more so if you've ever watched any of the dreadful original Futakoi), and I rank its amazing first episode among the best—if not the best—first episode of anything ever, but that first episode is also incredibly misleading. Many viewers soured after the frenetic first Futakoi Alternative episode gave way to contemplative (and somewhat downer) follow-up episodes.

That is one really firm size chart/scorecard.

B Gata H Kei has a great first episode, but I hope the rest of the B Gata Heckler & Koch anime isn't a letdown. Like I said, comedy is a tricky thing. However, as long as Yamada keeping putting out Sawako-with-a-libido vibes each episode I won't even care if she doesn't manage to make 100 friends with benefits. I heard there's no guarantee she'll go to heaven even if she does kill 108 dudes. [Spoiler.]

Nodame glances at Chiaki.

I wanted to write about the end of Nodame Cantabile: Finale, but what can I say about a show like this? Finale is basically the second half of Nodame Cantabile: Paris, so nobody should watch Finale if they haven't already seen Paris. And if they've seen Paris, they'll already know whether or not they want to watch Finale no matter what anyone says about it.

Nodame's non-CGI hands.

This is not to say that Nodame Cantabile: Finale is an exact continuation of Nodame Cantabile: Paris Chapter; there are significant differences. First, J.C. Staff has deemphasized the CGI orchestra in favor of regular animation that focuses instead on the expressions of the musicians and the audience instead of the technical aspects of the music. Second, the attention is back on Nodame and Chiaki instead of the supporting characters.

Nodame and Chiaki share some music again.

One complaint about the post-Japan Nodame arcs is that the supporting cast is not as interesting. I don't know that I agree necessarily, as I never found any of the supporting characters in Nodame Cantabile especially endearing. The Japan-centric cast may be more eccentric, but that doesn't mean I care more about them than Frank, Tanya, and company. Comparing Paris with Finale, however, I can say the supporting cast in Finale is not there to drive its own stories. The stories belong more to Nodame and Chiaki; the rest of them are just along for the ride.

Tiny pictures are the way of love, Chiaki.

So what else is there to say? Well, for one thing, it's the third-best show that aired Winter 2010 behind Cross Game and Kimi ni Todoke—first, if you only count series that began Winter 2010. From the looks of it, I enjoyed Nodame Cantabile: Finale much more than most people. I wonder if it's because I have never read the manga? Or if it's because I've come to view Nodame Cantabile as a story about Nodame's love affair with music instead of her love affair with Chiaki?

Paris in 3D.

Paris in 2D.

In other news, there are a few artistic liberties taken with the Nodame Cantabile: Finale locales. For example, the above setting does not really exist except as a composite of different (albeit admittedly nearby) views:

Paris in 3D.

I'm guessing animating on location is even less convenient than shooting on location, what with all the staring by tourists and locals and prolonged exposure to the elements and whatnot, so it's excusable.