Weird how your dad never mentioned murdering all those people.

The viewpoints I see about Kidou Senshi Gundam: Suisei no Majo (Mobile Suit Gundam: The Witch from Mercury) in my sliver of the anime fandom uniformly vilify Prospera, differing only in the intensity of the condemnations. However, I still regard her as a protagonist. I also support her quest for revenge even though I'm uncertain as to the specifics of her plan. (Spoilers henceforth for the first 17 episodes.)

You're not young Bel, right?

A significant factor responsible for this (apparently minority) view is my unwillingness to minimize Delling Rembran's role orchestrating and initiating the mass murder depicted in the "PROLOGUE" episode. I don't believe there's been any meaningful attempt to justify the assault, so I'm mystified this doesn't come up more often. It's as if viewers collectively shrugged and concluded it was all right because we barely knew those people.1

You don't always recognize the last time you'll see a loved one when it happens.

Elnora Samaya, of course, did know those people. She escaped with four-year-old Ericht as the facility's sole survivors while cold-blooded killers butchered her husband, her mentor, and everyone at Fólkvangr. (I'm unsure how many died in total, but it seems like dozens.) Consequently, this factor shapes my perspective about everything Elnora has done (and has been accused of doing) in her Propsera guise. To be clear, I also do not perceive her purported transgressions as being especially egregious. The worst accusations I can levy involve emotional manipulation, but assigning blame exclusively to Prospera for the actions others take strips agency away from those victims and reduces them to mere instruments.

I guess she doesn't have a shitload of Suletta pictures decorating her desk.

Granted, I'm taking Prospera at her word when she offers explanations or insights.2 For example, I assume Ericht really was dying and that Elnora did not turn her into a child-Gundam chimera for Fullmetal Alchemist reasons. I'm also accepting Prospera's explanation to Miorine in episode 14 about enrolling Suletta to fulfill her wish of attending school while keeping her in a safe(r) environment as sincere. Likewise, I scrutinize her role as a mother through the same lens Suletta uses. Every on-screen interaction (and every historical one, according to Suletta's beaming admiration) appears authentic. Although, Prospera is possibly playing a long con, and has devoted considerable energy for decades to deceive and exploit her own daughter(s) in pursuit of a convoluted revenge plan.

See, Suletta trusts her.

Maybe Prospera's true face (as it were) will be revealed and she'll get her comeuppance when Suletta (and Ericht) turn on her, but I'm not sure I find this prospect convincing. This is partly because I don't know the particular specifics of her revenge plan. After all, Prospera has had at least some opportunities to stab Delling in the neck, so simply offing him doesn't seem to be the primary objective.3

I do find it odd they use portable data-storage devices.

Moreover, I'm increasingly cognizant that The Tempest ends with a wedding, not a bloodbath. I'm disinclined to believe G-Witch will end with Elnora in ruin, and Delling triumphant. However, I'm also skeptical the conclusion will adopt the forgiveness aspects from The Tempest, particularly since Prospero's betrayal involved a loss of authority, not the literal murder of everyone he cared about. I'm pro-revenge enough that I would find such a finale distasteful, almost as a matter of principle.

Note 1: E.g., "What Delling did to that lesbian couple was objectively terrible, but not subjectively so because they weren't 'our' lesbian couple."

Note 2: Maybe she's manipulating me.

Note 3: I have no idea how Quiet Zero fits into this.

Ship girls as a concept still seems weird if I think about it.

After multiple production delays, the eighth and final episode of KanColle: Itsuka Ano Umi de (KanColle: Someday in that Sea, alternatively, KanColle: Let's Meet at Sea) aired on 25 March 2023. Being an outsider who is unfamiliar with the game, the second season of the Kantai Collection anime made me wonder whether its tone is reflected in the gameplay. It's been a while since I watched the first season and the movie, but I don't remember either of them being so consistently serious throughout. It would be easy to say the tonal shift is because so many ships "die," but at the same time it feels as if the series tries to soften the loss the way a parent might lie to small children by saying beloved pets have gone off to live happily on a faraway farm. Unless they really did go to a farm?

Ship girls sure age well.

Ultimately, I can't claim the second season of Kantai Collection was a good anime for anyone other than viewers who really wanted lingering shots of Shigure doing Shigure-type things. I don't mean to imply that the show is full of cheesecake and fan service. It's not—not at all. Rather, I mean that this short series felt like I was flipping through a photo album that captured memories of her experiences during the war.

Shigure DIES. P.S. Spoilers.

Incidentally, I suppose I should acknowledge Kancolle's ties to World War II. Naturally, since the adversaries in its world are fictional "Abyssals" instead of the Allied powers, key events were re-imagined so that certain outcomes differed from their real-world counterparts. (It also allowed for the sort of cameos you might expect under these conditions.) Does this make the montages at the end of the final episode more or less poignant? Once again, as an outsider, it's not clear to me at all. Nevertheless, I appreciate the franchise for what it is, and I'm curious what the future has in store for it.

Space Oomfie.

As you may have noticed, I really enjoyed the first cours of Kidou Senshi Gundam: Suisei no Majo (Mobile Suit Gundam: The Witch from Mercury). I've watched so little from the Gundam franchise that I'm hazy on a lot of its common, recurring themes. Nevertheless, I at least know the depiction of death and the consequences of war are integral companions (in some way) to the cool-robot plastic-model-sales aspects.

Nika realizing how much extra work killing that guy is going to create for her.

However, I'm not well versed in terms of how Gundam presents these elements or how it communicates its perspectives about them. My assumption is that it adopts a "killing is bad" approach, but I'm willing to trust it at least has a more nuanced view than something like Sword Art Online II:

2016-01-08-18:16< Evirus> The robber had already killed one person and was about to shoot the mom, the teller, basically everyone. But sniper girl, who was like five at the time, managed to get the gun and shot the robber dead. And she was a pariah ever since, even to her mother.

ANYWAY, I don't know if this ultra-pacifist view crudely depicted in SAO II in any way accurately reflects a mainstream Japanese view, nor do I know if Gundam has anything similar. For the purpose of this blog post, I'm going go assume neither are true. That said, episode 12 of Kidou Senshi Gundam: Suisei no Majo ends with a violent death that leaves one of its leads shocked and deeply troubled.

At a minimum, Prospera is way better than Sinon's mother.

Now, the most important aspect of this character's reaction is her disbelief the person responsible for the killing could appear untroubled by the act. That is the critical focus of the scene, but the implication "all killing is bad" still looms. We'll have to wait until the second cours begins in April 2023 for more clarity on these points, but anything other than unambiguously concentrating on the mental-state aspect of the scene will appear alien to me.

I think this qualifies as an imminent threat to life or bodily harm even if he's not using the sights.

The distinction derives from my inculcation in a common American belief that using deadly force is justified in the defense of others. The legality and scope of this doctrine varies by region and jurisdiction (as do American self-defense doctrines and perspectives as a whole, for that matter), but I presume it's at least much more common in the United States than it is in Japan. I just don't know how it's portrayed in Gundam.

I like Shigure because she has nice hair.

Is it necessary to watch the first season of Kantai Collection before watching the current anime? No, but it turns out the answer is no for an atypical reason: Because it wouldn't help. This is to say that my ignorance of Kancolle as a franchise—despite having watched the first anime nearly EIGHT YEARS AGO still leaves me with an incomplete understanding about KanColle: Itsuka Ano Umi de (KanColle: Let's Meet at Sea). I've also watched the movie. That doesn't help, either.

I might have recognized you if you had more fan art.

Through three episodes (it started late), there's nothing I remember of the previous Kancolle anime that would assist me with the second season. What would really help is a greater understanding of the video game. I would probably also benefit from being more familiar with the actual ships and the naval battles they joined. As it is, I am less invested in the show and its events than I think it wants me to be.

Looks humid.

This is not to say that the anime is confusing or difficult to follow, though. The plot so far is straightforward and the characters' motivations are not unclear. What I'm missing are ties to the characters themselves, since I basically don't know any of them. Shigure, the lead, I only know because an old anime blogger used to post about her regularly. She seems okay, but I don't expect to be as moved as I might otherwise be if the season really does turn out to be about her survivor's guilt.

Are you going to die this season?

Of course, I don't genuinely know if an emotional connection with these boats is really going to be necessary to get the most out of the long-awaited second season of Kantai Collection. The opening episodes have had a much more serious tone and higher stakes than what I remember of the first season. This could change, but we're quite a distance away at the moment from curry battles and friends who poi all day and POI POI POI all night. Kongou did briefly appear in the most recent episode, though. Maybe her BURNING LOVE remains unquenched.

Nagomi is the main character, right?

Akiba Maid Sensou (Akiba Maid War) is fantastic. I initially had some reservations, but I gave it a try because it's an original anime and because I like the character designer. Maybe I didn't investigate the available information closely enough, or maybe the series was somewhat secretive about its content. Either way, I was mostly unprepared for what the show was actually going to be like.

I thought the show would be more like this most of the time.

As it turns out, Akiba Maid War is wild. Familiarity with the various stereotypes being smashed together probably would help to some degree, but it's likely not strictly necessary for one's enjoyment. It does seem this type of show is not for everyone, though, but at least curious viewers will probably be reasonably certain fairly quickly whether or not they are one of these people. At a minimum, any doubt will disappear by the end of the first episode.

This is a spoiler, but it's probably only a spoiler if I tell you it's a spoiler.
P.S. Spoilers.

Through three episodes, Akiba Maid Sensou has easily exceeded any expectations I may have had for it. It will be absolutely incredible if the series can continue doing all the things it has been doing right so far. This is turning out to be an excellent anime season with a lot of good shows. Amazingly, they are also all entertaining for unrelated reasons.

This fucker is too stupid to live. And yet....

I haven't checked if Overlord season four is adapting a proportionally greater amount of the source material than the previous seasons did, but it feels like it. The anime has covered a lot of ground at breakneck speed, and it appears the remaining episodes will bring us all the way to the end of volume 14 (at least based on the content in the OP). Notably, the anime has already skipped past the Holy Kingdom arc that will be covered by the upcoming movie.

GET HYPED

For anime-only viewers, this timeskip occurs without explanation. Unfortunately for anyone relying solely on in-show context to fill in the gaps when it comes to events and organizations not explicitly depicted in the TV anime thus far, there is a fairly significant error that appeared in the official subtitles for episode eight of season four. Specifically, the Holy Kingdom and the Slaine (Slane) Theocracy are treated as being one and the same. They are not. It's an understandable mistake if the translation team is working without the benefit of knowing what the movie will cover, since the Holy Kingdom hasn't been previously introduced in the anime at all, while the Theocracy has been a fixture since the first season.

This old dude.

To clarify, the Kingdom is the country that has featured most prominently in Overlord so far. It's called the Kingdom because, you know, it has a king (the old dude). Last season and this season, there's also the Empire. This is the country with (can you guess?) an Emperor (the young blond guy who is stressed out all the time). We don't know that much about the Theocracy, but they seem to be religious douchebags who deserve to get thrashed. The Holy Kingdom is the country receiving humanitarian aid (the grain that Philip steals) from our intrepid heroes.

This stressed-out guy.

The Crunchyroll's subtitles mistakenly refer to the Holy Kingdom as the Theocracy, which is incorrect and wildly confusing because Nazarick regards the Theocracy as an adversary and would have no reason to provide it with humanitarian aid. [Update: They fixed it.] It's spoilers for the upcoming movie, but I'll leave it up to your imagination to discern why the Holy Kingdom would need humanitarian aid. (Spoilers: Because it gets frickin' wrecked. This wouldn't have happened if y'all had more R.U.N.E.C.R.A.F.T.)

For a kid who's only in her 70s, Aura has a lot to deal with.

I assume nobody is trying to watch the fourth season of Overlord without watching the first three seasons first or reading the books. Without the foundational background, most of the events so far must be somewhat confusing. Since the first anime season came out seven years ago, there are surely potential viewers today who were too young to get in on it in 2015. If any of y'all are reading this, I don't know what to tell you. At least all of it is available on the Crunchyroll, so it's accessible, even for non-subscribers using the free, ad-supported tier. Get caught up.

It's all right, Shalltear. You can just kill them all later.

In my case, I'm pleased simply to get more Overlord anime at all, even if years of memes may have colored my expectations as to how certain scenes ought to transpire. I'm also relieved that the use of 3DCG has (at least so far), not suffered as it did during the third season. Man, some of that was dire. I'm also pretty stoked there's a movie in the works that will cover one of the best arcs from the books. If you've seen people going on and on about some pope, that will make sense after the movie. It's gonna rule.

Congratulations on not being dead.
P.S. Spoilers.

To tell you the truth, I sort of forgot 86 Eighty Six season 2 two had delayed its final 2 two episodes to March 2022 Two Thousand Twenty Two. I mean, things were sort of tense when we last saw our characters, but it totally could have just ended the season where it was. I would have accepted a cliffhanger-ish ending and an indefinite wait until the next cours, whenever that happens to be. I mean, I think it's reasonable to expect there will be another cours at some point. The anime seems pretty well-regarded, and I've warmed up to it as well, despite some initial misgivings.

Congratulations on not being dead.
P.S. Spoilers.

86 is at its best when it's exploring how its characters relate to each other and to their shared experiences with war. These aspects of the series are much more compelling than how it depicts the war itself or the dynamics of the societies involved. This is not necessarily because I find many of those elements unrealistic, but rather more because I'm not invested in their outcomes. I'm not particularly invested in most of the characters either, but the series has devoted enough time to developing them that I can at least appreciate their emotional resonance.