When in doubt, hug Chris.

Senki Zesshou Symphogear was awesome because it was preposterous. Symphogear went above and beyond to remain entertaining. From the first BADICAL episode to its ridiculous climax, Symphogear always remained fun to watch. I can't claim with a straight face that it's actually good, but I never claimed a show had to be good to be the best show of the season. More of this sort of thing, please.

It's all about the timing.

The best show of Winter 2012 if you want to use boring metrics such as "funny" or "consistent" is Daily Lives of High School Boys (Danshi Kōkōsei no Nichijō or "Nichibros" affectionately, among fans). Shockingly, this was a very amusing comedy and nothing at all like what I thought it would be about based on the title. Daily Lives of High School Boys also accomplished the rare No Bad Episodes achievement. Hell, I'd even go so far as to recommend it. That's something I can't do for Symphogear.

Black Rock Shooter needed more DARK MAMIKO.

I liked Black Rock Shooter for its almost confrontational use of allegory and metaphor to illustrate the trauma of suffering teenage feelings. I don't believe I have an especially high tolerance or patience for teen angst in general, so I consider my positive overall opinion of Black Rock Shooter to be a testament to its solid, stylish execution and depiction of envy, despair, humiliation, friendship, and courage. I can see how other viewers might wildly disagree, though.

Kazuha aikidos the shit out of some deadbeat.

Detective Conan remains as good as ever. It's somewhat amazing that after more than 650 episodes it still has compelling stories about its key characters. It's also just as satisfying as ever to watch Ran and Kazuha whip the Hell out of some goob. If you're new to these wrap-ups, Detective Conan is sort of my control group of quality since it's pretty consistent and appears ready to run as long as it has to.

Guilty Crown needed more Butt OS.

Guilty Crown was all over the place this season. It's quite a mess, but was pretty entertaining in an absurd sort of way when it was about [spoilers] and [spoilers] and [spoilers!], but then it just started getting stupid. Shu as a protagonist was its biggest flaw, and things would have been so much better if Guilty Crown had killed him unexpectedly and replaced him with Ayase. For a show that I ranked number one for a large part of the season, Guilty Crown fell a long way in its inability to pull off a satisfying conclusion. It also didn't make a damn lot of sense, but a show doesn't need to make sense to be the best of the season. (See Symphogear.)

Poor Flay is just misunderstood.

The "HD" rebroadcast of Mobile Suit Gundam SEED is not much different from the original. It's mostly just cropped and upscaled. I still like it, though, even if Flay's breasts are now flying out-of-control all over the OP.

That is some pretty good ramen.

I finished Thermae Romae months ago. It's a good thing it was so short, though. I can't imagine watching a full cour of it.

Flag of England and lance corporal rank.

It's a bit of a relief that Smile Precure! is charming. These girls can't fight worth a damn. That's kind of the trend for Pretty Cure over the last few years, though. There's not nearly enough ass kicking. I remain hopeful that Cure March will get her act together later, even if she does end up carrying the rest of the team. Notably, Nao wears combat boots and her favorite shirt appears to have lance corporal rank insignia on its sleeve and the flag of England on the breast. SHOW ME YOUR WAR FACE, CURE MARCH!

Ai is pretty awesome even though she tastes like ramen.

Amagami SS+ was a huge letdown because it retconned nearly all of the progress Potato-kun made in the first season. It would be almost inexplicable, except that I should have predicted the craven devotion to upholding the Otaku Virtues. In nearly every respect, the second season of Amagami SS is wasted potential, and a waste of time. At least Tsukasa remains the Amagami Best Girl by showing she's smart enough not to fall for stupid tricks.

Potato-kun comes for Asia's box.

High School DxD is both a disappointment and a pleasant surprise. On the one hand, it's a lot better than a trashy show like that has any right to be. On the other hand, it didn't turn out as good as it appeared it would be from the early episodes following the cookie-cutter first episode.

The best Milky Holmes II had to offer.

Tantei Opera Milky Holmes II was not nearly as good as the first season. Then again, the first season was a lot better than anyone expected it to be, so I guess it works out. Too much lard, not enough Arsène, and the only new gag I liked was Hercule turning out to be a huge pervert in secret.

Hair down > twin-tails.

Another was another letdown for me. It started off boring, got interesting, got stupid, and ended up being completely retarded. I think it tried recapture the elements that made Shiki so good, but instead of B-movie fun Another was just poorly written dreck. So many problems. There's only so much handwaving I'm willing to accept. And another thing: [SPOILERS] If everyone forgets about the dead extra person after he's killed, how do they know it's over? Wouldn't the class continue looking for the extra person until everyone was dead? In any case, it seems a lot of people who were very critical of Guilty Crown for being puerile were much more forgiving of Another despite the two shows sharing similar flaws. I took the opposite view. I dunno, maybe I liked Butt OS and wheelchair-fu more than I thought. A classroom of students too stupid to live? Not so much.

Dere-Dere Mode, activate!

Shakugan no Shana III was a lot better than Shakugan no Shana II but was still terrible. I blame J.C. Staff's persistent problems with producing compelling fight scenes. They're bad enough at it that sequences only a few seconds long routinely come out horrid. Thus, when J.C. Staff tries to drag out fight scenes over multiple episodes, the end result is disastrous.

Whatever happened to Shinobu's helmet and goggles?

Nisemonogatari is awesome if you like that SHAFTXSHINBO jive. It'll irritate the crap out of you if you have little to no patience for it, though. And let's be clear on this: Koyomi is a harem comedy protagonist. A shitty one. Also, the obsession with little sisters has got to stop. I suppose I don't "get" Japanese fetishes, but I am really tired of the imouto thing. It's basically only okay when it's like Harima + Yakumo from School Rumble (platonic friendship with the kid sister of his unrequited love). I suspect many viewers will further disagree with me here, but as much as I like Sakamoto Maaya, I believe Hirano Aya, the original voice of Shinobu (back when she didn't talk) would have been a better match. I assume Hirano Aya was replaced for reasons related to her relatively recent personal and professional problems.

I already described my problems with Suite Precure♪. I still want to know whether or not Cure Rhythm's battle costume smells like cake, though.

I dropped Moretsu Pirates because it was boring. I heard later that the show is actually about privateering, anyway.

Behold! my Velvet Kiss and Codename: Sailor V purchases.
Not sure I understand why Velvet Kiss is shrink-wrapped
to protect the innocent while Codename: Sailor V is not.

I received my copy of Velvet Kiss from Amazon.com. I gave this title one of my rare recommendations back in February before the series ended. Members of the scanlation team contributed to the official licensed copy, and the result is a more professional, polished product that reads more naturally and gives the reader a better initial understanding of the dynamics among all the characters' interactions. Technically, this is porn, but really Velvet Kiss should be viewed as as merely (?) an unconventional romance that just happens to include nudity and sex acts at least once per chapter. I suppose that description might make it a difficult sell with more subdued readers, but Velvet Kiss is really well done and I'd like to see it succeed in the English-language market.

Oh My Goddess!, Velvet Kiss, and Lovely Complex size comparisons.

One additional note: As you can see from the pictures above, Digital Manga publishes Velvet Kiss in the same large format used by (for example) Bunny Drop. This is satisfyingly larger than the more common size still used for most American releases, to include the Sailor Moon re-release and Kimi ni Todoke, which in turn is already larger than the typical Japanese manga tankoubon.

Not depicted: Bewildered patrons wondering why
people keep taking pictures of these tables.

What is Anime Tourism? Is it when anime fans make pilgrimages to real-life locales depicted in anime (see, for example, the Lucky Star Hajj), or is it when anime characters venture beyond their usual stomping grounds as tourists themselves? Maybe it's both. This installment features London, England, as depicted in the K-On! movie and in a series of Detective Conan episodes from 2011.

Welcome to London. It may appear slightly different than it does in anime.

Both K-On! and Detective Conan appear to be beneficiaries of an impressive amount of meticulous research. They accurately depict their locales while making only minor changes to avoid impeding their viewers' ability to identify certain settings. Some locations are simple yet still iconic and thus were shown virtually unchanged, such as this shot of the K-On! girls in the London Underground:

Upper: Azusa, Yui, Ritsu, Mugi, and Mio at the Aldgate East station.
Lower: Actual photo from the London Underground.

Of course, simple locations are not going to impress most viewers, nor encourage much anime tourism. Contrast this with the brief shot of the Tea Time band entering The Troubadour. A few seconds of film inspired enough visitors that the management now displays a K-On! poster in the window with a Japanese-language menu alongside its awards and positive reviews.

Upper: Mio, Azusa, Mugi, Ritsu, and Yui in front of The Troubadour.
Lower: Photo of the actual coffee house on Old Brompton Road.

As you can see, inconvenient trees and light poles occasionally get removed, and the scale sometimes gets changed to better fit a scene. For example, the rooms at 221B Baker Street are much more cramped than they appear in Detective Conan.

The interior of the Sherlock Holmes museum on 221B Baker Street.

Curiously, the K-On! girls also visit 221B Baker Street and pose for a picture, but appear to blow straight through the famous Abbey Road crossing without noticing. Had it been summertime, perhaps they would have been alerted by the crowds of tourists endangering their lives and making a general nuisance of themselves by playing in traffic.

Ritsu, Mugi, Yui, Mio, and Azusa cross Abbey Road on a quiet day.

I suppose the absence of crowds is a reasonable liberty in an anime movie. Anime "filming on location" generally seems to assume a best case scenario. Although blue skies are at least plausible in Ran's case since she visited London in July, the K-On! movie's depiction of the weather over Westminster Bridge during the colder months is somewhat optimistic.

Detective Conan episode 617.

K-On! movie.

There aren't crowds in Ran's shot because it's 9PM.

So how is the K-On! movie itself? I don't actually like K-On!, having dropped the series early in its run, but K-On! is a juggernaut almost inescapable for anime fans. So despite only watching four of its 40 episodes, I still know quite a bit about the show and the characters (although my Twitter joke pretending to mistake Ui for Yui's mother flopped), making the movie quite accessible. I have to admit it's a good movie, and the K-On! characters are more agreeable now that they're better established. In many respects, the K-On! movie is a journey. The characters travel from Japan to London and then proceed to explore the city, but it's also a journey in the sense that the movie is very much about the graduating members of the light music club searching for the appropriate way to hand it over to Azusa. Neither are journeys the way Monster is a journey, but they effectively take advantage of the opportunities a feature-length project has to offer. There is a palpable sense of bewilderment and wonder as Mio, Mugi, Ritsu, Yui, and Azusa wander around London, and the movie presents numerous opportunities for the viewer to see and experience it from their points of view.

Jubilee Gardens glows with the benefit of Yui-vision.

The unusually long London arc of Detective Conan episodes in 2011 is also a journey in both these literal and metaphorical senses. With regard to the metaphorical portion, the London arc advanced a fairly significant step in the relationship between Ran and Shinichi. From the literal perspective, Conan, Kogoro, Ran, and Professor Agasa race around the city collecting clues in order to stop a mad bomber, although the transitions are not as finely executed in these moments as they are in the K-On! movie. In the Detective Conan episodes, the characters seemingly pop up at various spots the story deems appropriate. Many of these cuts lack any real consideration as to how the characters got there, and some scenes ignore minor concerns that don't actually affect the plot. For example, Ran's fortuitous encounter with Minerva Glass at the base of the Sherlock Holmes statue outside the Baker Street Underground station (around the corner and a short distance away from the entrance to the Sherlock Holmes museum) advances the story, but doesn't necessarily comport with the traveling she does that day. The K-On! movie is much better at depicting travel around the city, and ensuring the corresponding scenes are generally geographically consistent; fans could potentially recreate much of the movie by tracing Hokago Tea Time's steps.

This scene needed more pickpockets.

So am I actively advocating Anime Tourism? You mean like going to various locations around the world such as Italy or France or, well, countless places in Japan strictly for the purpose of seeing the 3D versions of 2D sites? Well, no, but if you're going to be in the area anyway, load up some screenshots on a portable device for comparison's sake. It's an interesting exercise in augmented unreality.

Aoi lap-pillows the shit out of Kaoru.

I finished re-watching Ai Yori Aoshi even though that meant going outside the one-episode-per-week framework I previously decided upon in my attempt to mimic its initial broadcast schedule from 10 years ago. This was not because Ai Yori Aoshi is so great I couldn't help myself, but rather because I was re-watching it via my old Pioneer DVDs, so it was easier to burn through a block of five episodes in a row than to fuss with disc swaps every week. I don't mean this as another sign physical media are dead, since I do still value the tangible qualities they impart, but there are certainly inconveniences associated with optical media that seem anachronistic in an ever-increasingly instant-gratification age.

Nadia is pouting in this scene because
Jean never visits her bunk. True story.

I don't remember Nadia being such a harpy. That girl just will not stop bitching. Frankly, I am amazed Jean manages to put up with her unrelenting complaining and her hippie bullshit. Then again, maybe it's a good thing that she's so disagreeable all the time. Were it not for her acerbic personality, Jean probably wouldn't be able to keep his mind on science and aeronautics. He's at that age, y'know. And they're stuck on a boat together (and/or island sometimes). And she doesn't seem to like wearing a lot of clothes. And she's a very bendy and athletic circus acrobat. I'm just sayin'.

I love Madoka even though she is not a cunt all the time.

Full Moon wo Sagashite? Still the best anime of all time, although I guess you wouldn't necessarily realize it at this point (episode 22). After 10 years, Full Moon wo Sagashite still remains somewhat of a difficult sell, particularly now that in many respects it not only is "old" but it sort of looks old, too. I'm not sure what it is...perhaps the lack of shiny skin? Since Full Moon wo Sagashite aired in 2002, myco (Mitsuki and Fullmoon's voice actress and singer) has released a solo album, my collage, and another album as the lead vocalist for the band Quintillion Quiz. I was able to purchase a my collage CD, but Quintillion Quiz's Mement Mori appears to only be available on iTunes. Both albums are good, but Mement Mori in particular is a steal at only eight bucks or so for the entire album. It rocks quite a bit more than myco's earlier work with the band Changin' My Life. I'm afraid I have no idea what Kana is up to these days, though....

One of these is not like the other.

I continue to encourage people to buy Velvet Kiss because it's really good even though it features both sex and baseball. Volume two is out already. [Spoilers: It has "Pomf."] Volume 13 of the Evangelion manga is out also. The Eva manga continues to diverge from the television broadcasts and The End of Evangelion, but there's both good and bad there. On the plus side, Shinji is not a whiny little shitheel. But on the other hand, volume 13 invokes shounen jive superpowers. I'm not sure I'm okay with that.

How do you know she's a witch?

Little Witch Academia is an excellent short movie from the Anime Mirai 2013 project. In the case of Little Witch Academia, young animators benefited from the tutelage of former Gainax members now with Studio Trigger. The resulting project is a charming well-animated story reminiscent of the underrated Mahou Shoujo Tai Alice1 (2004-2005). I give Little Witch Academia a solid recommendation and look forward to more great things from Studio Trigger. I'm also curious if the rest of the Anime Mirai efforts are as good. With titles such as Death Billiards, how can they not be?

Blue-Headband Noriko > Yellow-Headband Noriko.

All right, so why wasn't Little Witch Academia the best anime I watched all week? Well, it so happens I re-watched Top wo Nerae and Top wo Nerae 22 the same week. Considering I hold Top wo Nerae in such high regard, it's surprising how little I've written about it in over 11 years of anime blogging. (Similarly, there's basically no mention of Tengen Toppa Gurren Lagann on this site either, although in Gurren Lagann's case, it was because it aired during a period when the only anime that I was watching were Macross 7 and Tokimeki Memorial ~Only Love~.)

Sure is a step up from her old job cracking dishes at a maid-uniform diner.

You know where I'm going with this, right? Some of the individuals responsible for Little Witch Academia were involved with Top wo Nerae 2 (and Gurren Lagann) while they were with Gainax, so the pedigree is certainly there. Little Witch Academia turning out so well will surely add fuel to fellow former-Gainax fanboy flames. (Although I still have hope for post-diaspora, current-Gainax, Gainax actual.)

Yoko is 14.

Speaking of Gurren Lagann, pre-orders for the Region A complete box set of Blu-ray discs are now available for an eye-opening $550 or so. For that kind of money, I certainly hope they are not upscales only marginally better than the DVDs. I'm not certain, but I seem to recall hearing that neither Gurren Lagann nor Top wo Nerae 2 were produced in full HD resolutions (because they were made in that unfortunate transitional period after traditional cells but before full HD digital work). If true, this at least explains why the Blu-rips of Top wo Nerae 2 are only small improvements over my R1 DVDs at best. Still, I waited a long time for Tengen Toppa Gurren Lagann Blu-rays before ultimately purchasing the R1 DVDs last year or so. Now that Blu-rays are nearly upon us, I'm tempted to repurchase them—just not five-hundred-fifty-dollars tempted.

Note 1: Officially known as The Adventures of Tweeny Witches in English.

Note 2: Also called GunBuster and Diebuster, respectively, but Diebuster is officially titled GunBuster 2 on the R1 DVDs because people are jackasses.

(Unrelated picture.)

Bernard writes:

I noticed you didn't seem to have an entry for Higurashi no Naku Koro ni, I remembered that one was pretty interesting, was wondering what you thought of it.

I watched the first episode because of Nakahara Mai, but I wasn't particularly interested in it for whatever reason despite the unexpected violence. I heard that it's good, though.

Erin writes:

Just wanted to say, that after a few years away from anime that your blog is the one I haphazardly browse to see what I've missed.

Thanks for reading! I wish I could point to some amazing bit of anime that you missed over the past few years, but nothing really stands out. Oh, there is a lot of material that's very good and plenty of stuff that's "important" from an "I can't believe you never watched that!" perspective, but the hoary joke about television being a medium because nothing on it is rare or well done sort of applies here. Despite all the anime that I've really enjoyed, I don't know there's much I would recommend to someone "a few years away from anime" besides Little Witch Academia.

This is how Rinko sees Takeo all the time.

For years I've lamented the lack of anime romances wherein couples get together early on and spend the rest of the series developing their relationship. Typically, an anime "romance" will either be about unrequited love in the form of tsundere bullshit, or (more commonly) simply not commit at all. There is the occasional Kare Kano, but such shows are quite rare. Amazingly, the spring 2015 anime season gave us Ore Monogatari!!, a show which basically does everything I wished for all these years. And yet, perhaps predictably, it's still a little unsatisfying.