Nice hat.

Alice to Zouroku (Alice and Zouroku) is about a little girl with essentially magic abilities who escapes from a secret facility where people with flexible morals study kids with superpowers. She then takes up with a crotchety old man and various cute things happen. Well, between periodic bouts of trauma, that is. It's a neat concept, albeit one that's been done before in various ways, but making the male lead an elderly man instead of a teenage spud is a nice change.

Domesticity Is Unbreakable.

I am enjoying Diamond Is Unbreakable quite a bit more than I enjoyed Stardust Crusaders. This is not to say Stardust Crusaders wasn't good, but rather its strengths involved a lot of shounen jive. I got my fill of that pretty quickly. On the other hand, Diamond Is Unbreakable does not seem to involve inflated power levels or a bunch of stalling with mini-bosses. Rather, it seems to be more about the Bizarre than it is about the Adventure or even the JoJo.

Vivio's heterochromia is excessive.

The first 10 episodes of Mahou Shoujo Lyrical Nanoha ViVid essentially went by as background noise because I "watched" them without actually paying much attention. For example, when underboob nun appeared in her red cropped habit last episode, I didn't realize she was the nun from the previous episode because her habit in that episode was blue instead of red. Oh, and it didn't leave her half-naked. I'm barely following Nanoha ViVid because I don't know any of the characters (sort of a Catch-22, that), I can't remember anything from the previous series (StrikerS), and I think this whole tournament thing is rather pointless.

Relax, it's cool. He's her teacher.

I'm watching fewer shows autumn 2013 than I usually do. I suppose on average it's still about one episode each night, but with less time watching anime and less attention devoted to The Twitter, I do have noticeably more time to pursue other interests—to include updating an anime blog that's nearly in its 13th year.

Oh. So that's why Hato is so broken.

I have been very impressed with the work of Noto Mamiko this season. She has always been one of my favorites, although I prefer her DARK MAMIKO voice to her soft Shimako types for which she is better known. I was starting to fear that she had been relegated to playing matronly characters as a step towards retirement (voluntary or otherwise). However, she blazed across Genshiken Nidaime at full boost in episode 10 as Hato's old senpai—a minor character, but a powerful one nevertheless.

She's not even afraid of lightning striking her umbrella.

More significantly, her work as Suzuki "Benten" Satomi in Uchouten Kazoku has been MAMIKORE. She's a capricious sex bomb who is too dangerous to be challenged. The presence she lends to the character is particularly pronounced considering how few other female characters there are in the show. She's quite a contrast with both the young (and predictably precocious) Kaisei and with the crossdressing tanuki mom who seems to arouse middle-aged human and tanuki males alike. Benten, though, seems capable of terrifying basically everyone with little effort. Maybe it's because she's not afraid of thunder.

Ika Musume terrorizes Nagisa.

Autumn 2010 had a number of surprises. I never would have predicted my top three shows from this season. In fact, three months ago I would have been surprised to learn I would watch two of the top three at all.

Shinryaku! Ika Musume [1-12] > Shiki (12-22) > Detective Opera Milky Holmes [1-12] > Panty & Stocking with Garterbelt [1-13] > Amagami SS [14-25] > Detective Conan (591-600) > Heartcatch Precure! (34-45) > Ore no Imouto ga Konnani Kawaii Wake ga Nai (11) > To Aru Majutsu no Index II (6-7) > Yosuga no Sora [1-12] > Psychic Detective Yakumo [1-13]

Shinryaku! Ika Musume takes the top spot by the strength of its comedy and its No Bad Episodes achievement. I didn't have much interest in the show initially based on its description, but toward the middle of the season I decided to give it a shot because of the near universal praise I encountered for it. I'm glad I did, because Ika Musume is a solid show. I only wish there were more episodes.

Y'all know Megumi is right, right?

Shiki took me by surprise by embracing B-movie staples and running with it. I can't actually claim that Shiki is "good," but when it hits its marks it is wildly entertaining. If you like yelling at idiots for their stupidity and watching villagers storm castles with torches and pitchforks in hand, then Shiki is for you. Plus it's bloody! Even for a vampire show! I almost want to give it the top ranking for autumn 2010, but there were a few lackluster episodes in the mix holding it back. Its first OP and second ED are unquestionably this season's bests, though.

Just so you know, this is a great disguise.

I wasn't really expecting to enjoy Tantei Opera Milky Holmes, and only started watching it so I could claim to be watching three detective shows this season. However, after an unimpressive start (everyone seems to loathe the first episode), it proved to be a fun series that continued to push the envelope; some of the things Detective Opera Milky Holmes did were really...inappropriate, but it was never dirty. An unexpectedly funny series, I've heard Milky Holmes described favorably as "the next Galaxy Angel." Now, it ain't that good, but I could definitely go for more episodes of these idiots.

Panty and Stocking put Chuck to work.

Panty & Stocking with Garterbelt is as good as you've heard, but it never really resonated with me. There were some really amazing moments and a lot of good episodes, but I can't help but feel Gainax could have done more with the show. Even the Gainax Ending was not as outrageous as it could have been. It's no The Melody of Oblivion ending, for example. I'm probably the only person in the world who feels Panty & Stocking wasn't daring enough, though.

Don't worry, he has it coming.

I liked Amagami SS because of its gimmick, but ultimately Potato-kun just didn't have enough charisma to carry the show. It's a nice enough romantic comedy, but nobody who missed it should feel as if they've missed anything important.

Ran is always so well dressed.

Detective Conan is Detective Conan. Nothing important changes, and the show remains as good as ever. For that reason, I suppose curious readers may be able to rely on its position in these season summaries as a baseline or control group of sorts for pan-season comparisons.

Erika is the best girl in Heartcatch, but she ain't no Girl of the Year.

Heartcatch Precure! is all right, but I don't like it as much as its predecessors. I suppose viewed as a whole, it is better than Fresh Pretty Cure, but the best Fresh moments are a lot better than the best Heartcatch ones. I know Heartcatch Precure! is very well regarded among many anime fans who don't typically watch Pretty Cure. I wonder if they rank the show so highly because this is the only Precure they know, or if they rank it so highly because Heartcatch has certain unique elements that other Pretty Cure season do not have. If the latter, perhaps it is these differences that I don't care for—differences that cause me to view Heartcatch unfavorably in comparison to past seasons. Or maybe I'm just tired of watching weak magikal girls fight bad feelings every week.

Kirino hassles Ruri.

I technically did not drop any shows this season, but I only watched one episode of Ore no Imouto ga Konnani Kawaii Wake ga Nai. I watched episode 11 to see what all that KUNKA KUNKA jazz was about. Man, that Kirino is a total bitch. There is no way I'd be able to watch a full season of anything with her in it. (Bear in mind that I'm an unapologetic Asuka fan, too.) I never had any interest in the show because its most fervent fans are all siscons; that's gotta mean something whether or not the show's actual content justifies that label.

How about you go to a hospital, Kuroko? How about that?

I only watched episodes six and seven of To Aru Majutsu no Index II because I heard they were Kuroko episodes without any Touma speeches. I'm oddly fascinated by Kuroko's old woman voice, but I still have zero interest in the show.

Turbo Genki Akira is the Best Girl in Yosuga no Sora.

I accidentally watched all of Yosuga no Sora. I watched two of the episodes towards the middle of the season because I heard a harem-anime protagonist actually managed to have sex. If you know anything about anime, you'll understand this is a shockingly rare occurrence, especially so early in a season. I was hoping the show would be another School Days, but it turned out to be an R-rated version of the Amagami SS gimmick. Once I learned that, I backtracked through the earlier episodes to find out how everything started. By then I had watched half of the show and figured I'd keep watching since Haruka was apparently going to run the table. Man, Sora was an intolerable bitch, though. She and Kirino should hang out—at like the bottom of a lake. Anyway, if you want to know what happens but don't feel like waiting for the uncensored Blu-rips, just watch one of the omake EDs; they spoil basically everything that happens in the show.

Even Kirika didn't wear the same outfit every single episode, Haruka.

I finished Psychic Detective Yakumo on general principle, but found it pretty boring. It wasn't very Bee Trainy for a Bee Train show. I also wished Haruka had more than one outfit.

The Eva Series? It's been completed?

I have a feeling I'm not going to be watching as much anime this year, at least not as many of these 13-episode throwaway shows. That said, I do hope Freezing will have DARK MAMIKO. Speaking of Noto Mamiko, Kimi ni Todoke 2 is a lock, and everything about Mahou Shoujo Madoka Magica sounds pretty good with the exception of the SHAFT X SHINBO part (which probably sounds pretty good to most people). Naturally I'll continue watching Detective Conan and Pretty Cure and anything Gainax churns out, even if it might cause me to buy and then itasha the fuck out of a Subaru.

I dropped Kiddy Girl-and at episode nine for trying to add a plot.

By convention, anime bloggers seem obligated to offer end-of-season summaries breaking down the finer points of the shows they watched and presumably covered (hah!) over each three-month block (or cour). So be it.

The short version is as follows: Kimi ni Todoke (12) > Cross Game (38) > Fullmetal Alchemist: Brotherhood (38) > Miracle Train [13] > Seitokai no Ichizon [12] > The Book of Bantorra (14) > Queen's Blade II [12] > Sunred II (37) > Fresh Pretty Cure (45), where the number in parentheses represents the last episode watched, and numbers in brackets indicate completion of a series and its total number of episodes. No OVAs or movies are included in these rankings.

I'm calling it: Yano is pure evil.

Kimi ni Todoke veers into melodramatic territory frequently and its reception has grown increasingly polarized. Depending on your stomach for such shows, it's either excellent or unwatchable—at least that's the way it seems when comparing various reactions to the series. I find it excellent. Also, those of you who know Mamiko Noto from interviews, behind-the-scenes specials, and commentary tracks will reasonably conclude both her Shimako-variety and DARK MAMIKO personas (more on that later) are purely products of acting. Evil Miyuki Sawashiro, on the other hand, I'm convinced is the real deal. I'll never look at Puchiko the same way again. Anyway, I'm glad Kimi ni Todoke is getting another cour. It has sympathetic leads and villains I don't hate.

This is as close as you'll get to seeing Aoba tearing her clothes off.

Cross Game and its Mitsuru Adachi storytelling remains as compelling as ever, although it's probably a comment on the state of today's anime trends that I find a simple heterosexual romance to be a refreshing departure from the usual feuds among turbo lesbians and loathsome harem comedy leads. However, if you're familiar with Adachi's staples, you may find Cross Game a little too familiar. E.g., there will be no great happiness for the characters (and Aoba and Ko aren't going to start tearing each other's clothes off anytime soon), but at least one moment of tragedy or despair is assured (as is appropriate for baseball). Despite the sports theme, Cross Game is best as a relationship drama and light comedy, and succeeds because it plays to these strengths.

"Whoa, look at the size of that cat!"

Fullmetal Alchemist: Brotherhood is good shounen/mainstream fare without the odious shounen jive conventions one typically finds attached to shows aimed at such audiences. This anime variant, more faithful to the original manga than the first Fullmetal Alchemist, retains the interesting characters and periodic plot twists that made the first series so popular. Really, at this point, Brotherhood is at least as good as the first anime—if not better—and deserves more attention from the crowd that dismissed it early on as a simple rehash of something they had already seen.

There is no escape from the Miracle Train, sweetie.

Miracle Train turned out to be a lot less gay than I was expecting. In fact, homosexual overtones were almost entirely absent, despite the show's outward appearance. Instead, what Miracle Train really seems like is some manner of train gang rape porn. Basically every episode some girl gets on a train and is immediately surrounded by men who won't let her off until they've "solved her problems." Usually the girl offers token resistance, but eventually relents and actually enjoys "having her problems solved" in the end. It's a ridiculous concept, punctuated by copious amounts of train and train station trivia, a token loli, and a talking dog that sounds suspiciously like Athrun Zala wondering what in Hell he's supposed to do this time about the man in the mask. Still, I'm glad I watched the entire series, and the later episodes contained the right mix of seriousness and sentimentalism.

This is really a girl, isn't it? He has a ribbon.

Seitokai no Ichizon was all right even if it relied too much on reference humor. It had good comic timing, amusing characters, and never aspired to be much more than what it was.

"I want you to hit me as hard as you can."

The Book of Bantorra is worth watching just because it's different. I liked the way the first arc played out, although Ayako Kawasumi's departure from the show is sorely missed. Well, they did bring her back to narrate the clip show in episode 14. Besides that, Noloty deserves to be on the short list of dark-skinned anime characters, Mirepoc has ridiculous-yet-awesome hair, and the strongest character on the show is the woman who is really good at hucking rocks. How can you not like that shit?

Kayoko fan art is goggled.

Sunred II is basically just more of the same. I like parody, but the jokes are becoming a little one-note. At this point I'd rather they just make the entire thing a bachelor-chow cooking show with Kayoko and Vamp punctuated by occasional household tips.

The horns mean Tomoe is serious. Dead serious.

I realize this is fairly qualified praise, but Queen's Blade II is far and away superior to the first season. For one thing, there's a lot less peeing. But the real gem is discovering why Mamiko Noto has been playing Tomoe so seriously all this time. The return of DARK MAMIKO is a welcome surprise albeit one only familiar to those who realized it was her in Dai Mahou Touge and perhaps those who enjoyed the final scenes of her character in the Kara no Kyoukai movies. (Note: DARK MAMIKO is not to be confused with her Ana Coppola Black Custom variant.) But really, Queen's Blade II develops a plot AND character development which is enough to elevate this ridiculous show to at least non-ironic watchable levels, even if the vast majority of its cast—unusually professional Mamiko Noto aside—completely phoned in their roles. Tanaka Rie, for example, was terrible.

Lay off the meth, girls.

Fresh Pretty Cure is treading water and has been mostly lackluster since the end of the Cure Passion arc. Retconning Setsuna into a 14-year-old girl was not unexpected, but still inexcusable from a storytelling viewpoint. The addition of a fourth Cure diminished the importance of Cure Pine and Cure Berry and Cure Redundant. Wait, I mentioned her already. I maintain that Precure as a franchise works best with two Cures—no more, no less.

What about Nogizaka Haruka no Himitsu: Purezza?
Dropped at episode eight for being piss awful.

Was Autumn 2009 weaker than most seasons? I'd have to say so. Granted, I didn't watch Darker Than Black II or Railgun, both very highly regarded shows (although I suspect Railgun will be another ephemeral flash in the pan everyone disregards when the next shiny thing comes along), but aside from the refreshing Kimi ni Todoke and the briefly euphoric return of DARK MAMIKO in Queen's Blade II, I can't claim there will be much unique to Autumn 2009 alone that I will remember or recommend without reservation, alas.