Tiny pictures are the way of love.

I don't know what I expected. Nine child idols do kid-type things. At least that's what THE IDOLM@STER Cinderella Girls: U149 has been like for its first couple of episodes. This was especially true for the second episode because its focal point was one of the two nine-year-olds in the cast. Ostensibly, the U149 title refers to how all of the idols in this troupe are under 149 centimeters (4'11") in height. This is accurate, but they're all quite a bit under. The tallest is 145 centimeters (4'9") and the shortest is 128 centimeters (4'2"). And they are all kids. Five of the nine are 12, but none are older. Meaning, there are no token short adults in the cast (well, I guess their Producer). I.e., there is no equivalent to Baba Konomi from the Million Live! set.

The U149 office really does look like a daycare center.

I enjoy iDOLM@STER as a secondary (really, probably tertiary) fan, but I'm unsure I'll have a good reason to keep watching this. At least the focus episode for one of the two youngest characters is out of the way. Maybe I'll find the subsequent episodes more entertaining. Promising to have a steady stream of cameos from other Cinderella Girls characters is probably enough to keep me watching, but I'll appreciate U149 itself a lot more if it makes an effort to offer something more compelling. I hope there's more to this anime than predictable canned scenes. Will the sporty one get to talk about subjects that aren't purely intended to remind us she's the sporty one? Is Risa going to contribute anything to the series that does not involve lolicons? If U149 doesn't deliver actual content, then the show is going to drag.

You sure seem pleased about your incredibly ineffective attempt at hiding.

I don't remember how I first encountered Boku no Kokoro no Yabai Yatsu (The Dangers in My Heart), but summaries of the manga set it up for failure. First of all, it's a middle school romance depicted from the male protagonist's point of view, and he seems obsessed with murder fantasies? That ought to be three strikes right there. Nevertheless, I'm really glad I gave it a chance and trusted in the strength of its reputation. Appropriately, the series is about subverting expectations and not rushing to judgment based on one's superficial impressions of others. There's no small irony here that the anime may fall victim to this very practice among potential viewers who might turn away too quickly.

This turned to be a lot funnier than I was expecting.

BokuYaba is also about not letting insecurity limit one's own potential. As it turns out, the male lead is not some Potato-kun. Nor is he some sort of mental case. Rather, Kyoutarou pumps up his chuuni levels and tries to role play as a psycho. However, he does this internally. He tells himself these things as a defense mechanism to explain why he's a pariah at school. But he's not outwardly different enough to actually be an outcast. His classmates haven't rejected him; he's merely withdrawn from them. He's not an edgelord; he's a cringelord who's too self-critical. Anna's inadvertent intrusion into his self-described sanctuary away from other people is the catalyst for the changes in how he perceives himself and others.

I like how Yamada popped into this scene seemingly out of nowhere like an actual ghost.

Here, too, is where I was afraid Boku no Kokoro no Yabai Yatsu would stumble. There is no shortage of anime and manga involving some TOP FUEL GENKI beauty who, for no clear reason, takes an aggressive liking to a painfully introverted and cowardly schmuck who ends up being an incredibly irritating point-of-view character. Thankfully, The Dangers in My Heart is not one of this lot. The friendship that develops between Kyoutarou and Anna feels natural and relies heavily on interactions that are shown rather than described. The characters in this series are insightful and often intuit that what those around them say (or are unable to say) and what they mean don't always align. The series refreshingly avoids plots based on stupid misunderstandings.

Tiny pictures are the way of love.

I'm not sure how far the BokuYaba anime will advance, but I expect it would require a two-cours run to catch up to with the manga. After all, there are more than 100 chapters already. The first two episodes of the anime covered the first 11 of these, so maybe the anime will adapt about half or two-thirds of what's out so far? I suppose that's not a bad amount. It certainly includes a number of highlights where characters have revelations about things they suddenly see with more clarity. I'm consistently impressed by how good the manga is at depicting these types of moments. I also like the anime adaptation so far, so I'm hopeful it will prove adept in these specific areas as well.

There are a lot of reaction shots in MagiRevo.

Before the season started, Tensei Oujo to Tensai Reijou no Mahou Kakumei (The Magical Revolution of the Reincarnated Princess and the Genius Young Lady) looked like it would be okay, but not something I was motivated to start watching as soon as possible. I was content to see what the initial reactions to the anime were like first. As if turned out, those impressions I saw seemed overwhelmingly positive, so I decided to give the series a try after I had dropped some of the other shows that I had been watching instead.

So many reaction shots.

Through six episodes, I would describe Tenten Kakumei as being basically fine, but it's still not something that particularly appeals to me. From the looks of it, a lot of the fans of the series are mostly in it for the relationship between the two leads. However, I still don't believe the chemistry between them is as compelling as it ought to be. I feel mostly the same way about everything else, too, such as the setting and the stakes. I'm simply not invested in anything that happens, which is a bit of a surprise considering how favorable the other sentiments I've seen have been. I don't have any major complaints, but I'm starting to think I'd have more fun watching it if I did.

She's so happy to see him.

I don't think I would normally watch Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san (Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte), but here we are. It's all right. Through four episodes, I would not exactly call it a must-watch anime, but I appreciate it at least features an original idea. Well, original enough that I don't recall having encountered anything quite like it before. The basic premise involves a couple of classmates who discover that a character in a video game is able to hear and respond to their voices. Instead of examining this phenomenon to better understand the scientific, theological, psychological, or mystical implications, they use this ability to shape the video game's story in hopes of preventing a beloved character's death.

These two spend a lot of time alone together.

The titular Endou and Kobayashi from Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san do so well by the second episode that it seems all but certain some crazy plot twists must await me. Indeed, the fourth episode ends on a cliffhanger, and there's at least one likely antagonist who has made only occasional brief cryptic cameos thus far. I'm not really expecting much from this series, but I presume there will be some light romance that doesn't advance very far between the two players as they try to maneuver the video game prince into position to bend his betrothed over a, well, not a kotatsu—that would be an anachronism, but perhaps over some suitably fancy and exorbitantly expensive piece of antique furniture, thereby unlocking a sex scene the incorporates at least one desu wa during Lieselotte's throes of passion. It could happen.

The Touyama Nao character sounds extremely Touyama Nao.

I like the basic premise of Benriya Saitou-san, Isekai ni Iku (Handyman Saitou In Another World). The series starts off well, but the anime suffers from the same problem as the manga: It develops a plot. As a gag anime with uncomplicated jokes about a normal schmuck who uses his unique skillset to assist a stereotypical RPG party of adventurers, the series is successful. It's consistently amusing, and it's rewarding to see the contrast between the appreciation Saitou receives in the fantasy world compared to how his blue-collar skills were taken for granted in modern Japan.

Those cowards didn't animate Lychee's sex scene.

Because the Handyman Saitou anime is a faithful adaptation of the original manga, it doesn't take long for it to exhaust the more whimsical standalone chapters and reach the part with continuity and interwoven character backstories. At that point, it becomes more of a normal fantasy show, albeit still with comedy and parody bits. It never gets actually bad (or at least it didn't before I dropped it), but I lost all interest in watching more. Maybe it returns to the original flavor of the series, but I'm not motivated to push through—hoping for the best—to find out for myself. Someone else is gonna have to tell me.

Of course she has mystic eyes.

I don't have a compelling reason to still be watching Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou II (The Misfit of Demon King Academy 2nd Season), but I also don't have a reason to stop. There's not exactly a shortage of shows about overpowered characters easily crushing those who oppose them, but I don't feel as though I watch a lot of those, and I'm pretty sure I watch even fewer where the lead is so smug about it. (Overlord fits the former, but Momonga's anxiety rules out the latter.)

Eleanor and Sasha both have good hair.

I liked the first season well enough. There were a number of twists I enjoyed, and the story focused on developing a manageable number of characters in interesting ways. Here in the second season, a lot of episodes seem to include strap hangers who are mostly just serving as an entourage following Anos (Maou-kun) around as he continues untangling the various mysteries surrounding the two thousand years he's been out of action, but it's still okay. I would personally prefer more Sasha stories, or an arc or two centered around Maou-kun's parents, but it's fine either way.

[Update: I forgot to mention Anos was re-cast between seasons.]

Keep your feet and knees together. Aside from that, you're on your own.

The first episode of each new Pretty Cure iteration tends to be good. Even by that metric, the first episode of Hirogaru Sky! Precure is very promising. It also confirms the franchise is exploring uncharted territory in its 20th year. First of all, its lead character is not a Japanese girl. For another thing, Sora's battle costume corresponding with her mahou shoujo form has a blue theme. Promotional materials for the series have also confirmed Hirogaru Sky! Precure will include a male Cure (a 12-year-old boy) and an "adult" Cure (she's 18), although there have technically been older Cures—and numerous Cures only a year younger—in the past.

Don't let her land on your head, Mashiro.

Taxonomy disputes as to who is entitled to be an According to Hoyle Pretty Cure are not new. Viewers who have followed Pretty Cure from the beginning will recall Shiny Luminous, Kaoru, Michiru, and Milky Rose were effectively Cures in all but name, but lacked the official moniker presumably because they were not Japanese girls. Cure Passion broke this barrier at the midpoint of Fresh Pretty Cure! in 2009. Questions as to when there would be a male Cure have dogged the franchise for years. After all, a robot, two space aliens, and a mermaid were all allowed to become Cures. They weren't even human!

Unfortunately, Sky does actually smile a lot during her transformation.

As far as the whole pink Cure thing goes, I feel as if that was only established starting from the fourth year of Pretty Cure. However, it became important enough for some fans that they will retroactively insist Shiny Luminous is a "Yellow" (because of her hair and predominantly defensive role) despite being the only member of the Max Heart trio with an unquestionably pink-themed battle costume. Assuming Cure Prism does not usurp the lead role from Cure Sky, this would be rejection of a convention that has become regarded as traditional.

"I want you to hit me as hard as you can."

It's too early yet for me to claim Hirogaru Sky! Precure will be good, but I am optimistic about its chances. At a minimum the determination and bravery Sora displayed during the first episode points the series in the right direction. My enduring convictions about Pretty Cure as a franchise are predicated on the themes established during its nascent beginnings. Namely, that the series should concentrate on youths embracing Hope and Courage. Consequently, I was baffled that Delicious Party♡Precure devoted so many of its episodes (including the show's climactic arc!) to the exchange of grievances between various adult male characters. Let's not do that again.

He can't be that hurt. His bandages aren't even bloody.

I decided to watch REVENGER because it was characterized as a Urobuchi Gen anime. The stereotypes and baggage associated with Urobuchi-type anime is frequently negative, but I generally find those complaints either overblown or incorrectly attributed. I don't like everything that has his name attached, but REVENGER seemed like a safe bet. Well, it's not great. I didn't care about any of the lead characters, and I wasn't exactly moved by the plights of their clients. Even the prospect of watching deadbeats getting assassinated in unnecessarily complicated ways each week didn't seem interesting enough for me to continue watching, alas.

Nice chair.

I did not have high expectation for Spy Kyoushitsu (Spy Classroom). However, I did like the promotional art, and the cast includes a lot of seiyuu who I enjoy, so I thought it would at least be worth a chance, even if it turned out to be a forgettable, mediocre affair. Well, the first episode wasn't awful, but it did make me dread watching more. That's a pretty quick drop for a season in which I'm following relatively few shows, but maybe I'll give it another try if I encounter reliable reports later about the anime turning itself around.