The most powerful swords are the ones without blades.

I am counting on reports from the Twitter that the War of Underworld arc of Sword Art Online: Alicization will be mostly Kirito-free for all of the next cours and a third of the final one. Based on how the AIDS "Mother's Rosario" arc and the Gun Gale Online spin-off panned out, I'm expecting to enjoy this quite a bit. For one thing, I already view Alice Synthesis Thirty pretty favorably, even though it's mostly because she sounds like an old sourpuss instead of a teenage girl when she talks, and because I think her armor's yellow and blue color scheme works really well—never mind that I sort of dislike UCLA.

I wanted to see unattended Coma Kirito fall off Alice's dragon.

After a perfunctory recap episode and two proper episodes of Sword Art Online: Alicization - War of Underworld, the anime seems to be off to a good start. True to SAO form, there sure are a lot of sneering assholes among the various unimportant characters. I'm okay with it, because Lalatina is entirely too resilient for any of these scrubs to fuck with, and I don't really care if random schmucks are dicks to Kirito for no reason. Honestly, I don't even know what War on Underpants War of Underworld is even about (so far it is about playing a Goblin Slayer simulator on easy mode), but it sort of doesn't matter as long as it's at least indirectly about Alice being very yellow. She sure ditched that eye patch rather fast, though.

Have gun. Will travel.

The Summer 2019 anime season is upon us. First out the gate is Katsute Kami Datta Kemono-tachi e (To the Abandoned Sacred Beasts), an adaptation of an ongoing manga by the author/artist duo known as Maybe. Unlike the manga, the entire first episode and nearly all of the second episode provide background information for the primary characters first. The tail end of the second episode picks up where the first chapter of the manga actually begins, and the preview for episode three at least suggests the show will now be more straightforward about adapting the manga. I generally prefer when an anime isn't bound to its source material scene-for-scene. Being too rigid can be counterproductive from a storytelling perspective simply because anime, manga, and text have different advantages and limitations. You'd think this would be painfully obvious, but anime adaptations fail often enough that I'm genuinely relieved the MAPPA production seems to have put at least a little thought into this.

Also a childhood-friend romance.

To be honest, the Katsute Kami Datta Kemono-tachi e manga itself is merely all right. I have purchased all eight volumes currently available from Vertical, and I do enjoy it, but I'm also predisposed to like most of Maybe's work. The mix of seriousness and humor work for me, although the anime probably won't necessarily reproduce the more comic expressions that I enjoy from the manga. Incidentally, I also enjoy Maybe's other ongoing manga, Kekkon Yubiwa Monogatari (Tales of Wedding Rings), a double-isekai harem comedy with plenty of cheesecake and blue balls. The manga has been available via the Crunchyroll's manga jobbie for some time now, but hard copies published by Yen Press are also in print.

A mid-fight flashback so Cardinal can explain Eugeo's attack.

Claims that the Alicization arc of Sword Art Online is the "good one" may have been exaggerated. It's different enough from the previous SAO arc that it at least seems to be the result of writing styles and priorities changing, but whether it's necessarily better is debatable. From an SAO-tolerant non-fan's perspective, its biggest problem to me is that it's not very engaging. I'm basically only watching the show now out of general principle, and not because I care about the outcomes or the characters.

Fuck your deban, Asuna.

Frankly, the show sort of drags. That's probably my biggest problem with it. I suppose other viewers might argue that the sexual assaults are a much bigger problem, but those aren't unique to Sword Art Online: Alicization. They're about par for the course when you consider the previous times the subject has appeared in the franchise. (For what it's worth, Kawahara claims he's moving beyond this sort of thing henceforth, but I presume that won't impact future episodes of Alicization, which I believe is based on already completed light novels.)

This ledge keeps changing size.

Alicization strikes me as a series that contains too many elements that might work as text, but bogs down the viewing experience in anime form. Not having read the books, I can't authoritatively claim that's really the case, but it at least seems all the explanations and details that constantly interrupt the anime's narrative must originate from the light novels. I'm starting to see indications there may be a break before Alicization's final two cours. I can't see that being good for the show's pacing, but I guess I'll find out once that third cours starts, whenever that is.

This queen's bed looks smaller than queen-sized.

Egao no Daika (The Price of Smiles) caught my attention because it is an original anime featuring mecha. But then the initial responses to the first episode suggested it was more about a silly country's 12-year-old monarch trying her best with the assistance of her loyal childhood friend, Potato-kun. Based on those reports alone, I wrote the show off. But then I heard about what happens in episode two and decided to give it a try out of curiosity. Yeah, I am totally on board. Yes, the show still stars a naïve awkward-age girl, but it's actually about a war that Smilestan's Deep State kept hidden from her. Moreover, it's clear from the OP and the ED that Egao no Daika also stars a soldier fighting for the opposing side. Indeed, Ittōheisō Shining has had a more prominent role in the show through its first four episodes than Queen Princess Yuuki.

I like Hayami Saori in this role, but I'd rather have Dark Mamiko.

Thankfully, Egao no Daika is also not one of those shows where Potato-kun spends half the series wiping out enemy mecha on easy mode before suddenly realizing people die when they are killed. I can at least guarantee this is not going to happen in The Price of Smiles. Rather, soldiers in this show display no hesitation killing their opponents even when they can see the whites of their eyes. There is still some question as to how Yuuki is going to react to the war now that she's getting a crash course in reality. It's more likely than not that she'll continue to oppose it, but other possibilities remain on the table since this is an original anime. Personally, I'm hoping for at least two cours of gripping war melodrama, but we're probably only going to get the 12 episodes scheduled thus far, alas.

This is the highlight of Goblin Slayer! thus far.

I watched the first episode of Goblin Slayer! when it first aired, found it to be a straightforward adaptation of the manga (it was toned down a bit, honestly), and decided not to watch more. After all, I had only read about a volume or so of the manga before losing interest. (I've never read any of the original light novel.) Somewhat predictably, that episode's content generated a lot of discussion on the Information Superhighway about Goblin Slayer! and its relative merits (or lack thereof). The reactions I saw on the Twitter, at least, were almost uniformly negative.

This was a blatant effort to encourage anime tourism.

I starting watching Shoujo☆Kageki Revue Starlight thinking it was going to be an idol anime that would contrast nicely when watched back-to-back with Ongaku Shoujo. Yeah, that turned out to be wrong. It's not an "idol anime" at all, or at least it's less so an idol anime than it is a "wack ass giraffe fight club" anime, as I've seen it characterized on the IRC. To tell you the truth, I'm not entirely sure what to call it.

Très bien!

Not that there's any compelling need to slot Shoujo☆Kageki Revue Starlight into some sort of category. All the really matters to me is that the audition portion of the first episode blew my mind. The fact that we got three straight episodes of "auditions" is rather astounding, although I don't imagine this is something we can reasonably expect an animation studio to keep up week after week. I'm calling them auditions, but you should bear in mind that these segments in Revue Starlight are auditions the way tank battles in GIRLS und PANZER are school sports.

I'm looking forward to these two becoming bitter rivals.

Naturally, since Shoujo☆Kageki Revue Starlight is about nine girls vying for the top spot, I've already picked sides and chosen favorites. There is also some expectation that various pairs will be forced to turn on each other as the competition heats up (it is right there in the OP, okay), but at least we're not likely to see loved ones dematerialize into green sparkles. I mean, they do still need people to put on the show.

Junna here setting totally unrealistic bed head expectations.

After four episodes, Shoujo☆Kageki Revue Starlight holds the top position in my Summer 2018 anime rankings, ahead of even Hanebado! even though Hanebado! has a lot more bitches being bitches. Naturally, I like the Revue Starlight supporting characters more than the leads, but that's pretty much how these sort of things go for me. In fact, I don't see anyone displacing the current top four, incidentally.

Daigo is short.

The second cours of Major 2nd has expanded the story to give more depth to the supporting characters following the first cours' focus on Daigo (Goro's son) and Hikaru (Toshiya's son). As viewers familiar with the original Major might expect, this includes making initially hostile teammates more receptive to the new kids now that they're proving themselves on the field. This does mean revisiting themes about putting expectations on the children of superstars, but it also includes said children showing up kids who didn't know who they up against.

Damn, these two got old.

Major 2nd does give a lot of attention to its new characters' heritage and there are frequent appearances by characters from the original series. For example, three of the current coaches we've seen thus far have played baseball with Goro. (Okay, four, technically.) Although this is not to say that Major 2nd is dominated necessarily by characters with direct ties to the original Major. Most of the players we've seen so far don't appear to have any connection to characters from the first series.

It's Major. Maybe her parents will die.

Notably, Sakura Mutsuko, Daigo's classmate and the only girl on the Dolphins, is turning out to be an exceptional player in her own right. Initially just someone who sort of tagged along, there have always been hints that she's much better at baseball than anyone realized. Now that she's actually applying herself, it's obvious that she can effortlessly hit for contact, and apparently she's fast on the basepaths, too (legging out a triple on her first base hit). Really, it's just a matter of time before we see her taking people deep, making ridiculous catches in right field, and gunning down opponents who dared to round third. It's an odd thing to speculate about considering how much of the manga is probably already out, but I rather prefer not knowing how things develop for Mutsuko for the time being.

Aika reminds me too much of Chiwa from Oreshura.

I would not have watched Ore ga Ojou-sama Gakkou ni "Shomin Sample" Toshite Gets♥Sareta Ken (Shomin Sample: I Was Abducted by an Elite All-Girls School as a Sample Commoner) except for the fact that Hara Yumi (the voice of Takane in THE iDOLM@STER and Yuuko in Tasogare Otome x Amnesia) is in it and somebody (whose trustworthiness is now shot) insisted the manga is funny. As it turns out, Hara Yumi is barely in it at all, and the anime—regardless of how the manga or light novel might be—is not funny. At best, I can merely say that it could have been a lot worse.