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Dated 4 September 2017: It's Google Sheets' fault I did not blog about Kuromukuro

Yukina
I wanted to like Kuromukuro. It didn't work out.

Spreadsheets killed anime blogging. At least that's my excuse for not even having a Kuromukuro category until now. I wanted to like this show, but it turned out to be too irritating to watch. I mostly bitched about it on the IRC and probably also the Twitter when it aired in spring 2016. (I dropped it before the second cours began summer 2016.) Anyway, here is a tardy, low-effort collection of gripes for y'all to skim over.

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Dated 24 April 2017: I've already dropped 10 shows from Spring 2017

Nono and Fudou
This is not Re:Zero.

There are a lot more shows each season these days than there used to be. I'm willing to give a lot of them a try, but I'm not quite as willing to slog through something in hopes it gets more interesting later. Lest you think I'm being too negative because I dropped 10 shows before the fourth week, bear in mind I'm still watching 17. Cripes, that is a lot. No wonder I never make any progress through my sizable backlog of anime I'd like to re-watch someday.

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Dated 16 November 2014: Shirobako is fascinating

Tarou and Aoi
This fucker.

Shirobako is one of those rare shows that not only features a cast of only adult characters, but happens to (semi-seriously) focus on a workplace environment. Moreover, the work in question happens to be about anime production. In a sense, it sort of like Otaku no Video except about the daily operational minutia rather than about ambition and dreams perverted by success. Miyamori Aoi is a junior production assistant at a fictitious anime studio. Shirobako examines the stress and hardships she and her co-workers endure to meet increasingly demanding deadlines in the face of contrasting work ethics and various emergencies. The struggle between competing interests is not unlike the doujinshi production parts of Genshiken except that the experience and professionalism of the Shirobako characters contrast starkly with that of the younger Genshiken menagerie.

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Dated 1 November 2013: Hanasaku Iroha: Home Sweet Home feels like we've never left

Satsuki
Hi there, sunshine.

The Hanasaku Iroha movie, Home Sweet Home is very pleasant, but I'm not sure it really feels like a movie. It's not very long (although it doesn't feel short) and it mates so well with the episodes from the series that it feels more like an OVA than a theatrical production simply because it is not especially grandiose. (Rebuild of Evangelion, this is not.)

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Dated 22 September 2013: Mamiko is better than ever

Kaminaga
Oh. So that's why Hato is so broken.

I have been very impressed with the work of Noto Mamiko this season. She has always been one of my favorites, although I prefer her DARK MAMIKO voice to her soft Shimako types for which she is better known. I was starting to fear that she had been relegated to playing matronly characters as a step towards retirement (voluntary or otherwise). However, she blazed across Genshiken Nidaime at full boost in episode 10 as Hato's old senpai—a minor character, but a powerful one nevertheless.

Benten
She's not even afraid of lightning striking her umbrella.

More significantly, her work as Suzuki "Benten" Satomi in Uchouten Kazoku has been MAMIKORE. She's a capricious sex bomb who is too dangerous to be challenged. The presence she lends to the character is particularly pronounced considering how few other female characters there are in the show. She's quite a contrast with both the young (and predictably precocious) Kaisei and with the crossdressing tanuki mom who seems to arouse middle-aged human and tanuki males alike. Benten, though, seems capable of terrifying basically everyone with little effort. Maybe it's because she's not afraid of thunder.

Dated 27 July 2013: Uchouten Kazoku and Stella Jogakuin Koutou-ka C³-bu are about the worlds you don't see

Yasaburou
Nice boat.

Those of you who know where to find my current rankings may notice that I'm discussing these shows out of order. However, I have a reason for grouping these two dissimilar shows: They invoke mysticism and apply fantasy to otherwise normal settings. Uchouten Kazoku (The Eccentric Family) is about a family of tanuki and their dealings with tengu and other mythical creatures in an otherwise human-dominated world. C3-bu (pronounced "See Cubed" in favor of a thickly accented pun rather than the military acronym "See Three") is about an airsoft club at an upscale girls' school. The socially uncomfortable Yura falls in with a group of weirdos who teach her the Way of Airsoft.

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Dated 22 April 2013: Spring 2013: I've dropped six shows already

Iwai
Hair Pornography ~The Animation~.

Remember when I said I drop fewer shows these days because I'm less likely to start something I'm not sure I'll enjoy? Yeah, that went out the window this season. At present, I am following eight currently airing shows (not counting Detective Conan) and have already given up on six other shows. Specifically, I've stopped watching Red Data Girl, Dansi Bunri Crime Edge, Namiuchigiwa no Muromi-san, Yahari Ore no Seishun Love Comedy wa Machigatteiru, Photokano, and Hentai Ouji to Warawanai Neko.

Izumiko
Those are some glasses.

There's not anything particularly wrong with Red Data Girl, except that I just didn't find it very interesting. It's the kind of show that requires some commitment on the part of the viewer to actively attempt to unravel the intricacies during the journey to some final revelation, but I just can't quite seem to care about the spirits and folklore. I feel as if I should be watching it on general principle, since it is different from the usual retreads and low-brow fare. I gave up after episode three, but I'll start it up again if I hear enough people insist that Red Data Girl turns out to be incredible later. Oh, and I guess technically it's called RDG Red Data Girl.

Iwai and Kiri
At least he was careful with the scissors.

Dansi Bunri Crime Edge is preposterous. I knew that ahead of time, but it really is just too silly for me to continue watching. I guess the problem is it is silly-stupid not silly-funny. For example, Valvrave the Liberator is also silly, but I'm still watching it because it leans towards silly-funny. And while Dansi Bunri Crime Edge does not take itself entirely seriously, there is a certain lack of bemusement as the characters experience events that are simply ridiculous, even in a setting as absurd as the Crime Edge one. I gave up after episode three even though I'm a big fan of hair porn.

Muromi
Muromi is sort of racist.

I stopped watching Namiuchigiwa no Muromi-san for no particular reason except that it just wasn't my sort of thing. I mean, it's fine, but you sort of have to be in the mood for its jokes to work. Being a half-length show, it doesn't exactly require much of a commitment to begin with, but I don't really feel like watching a show about wacky mermaid antics every week. Three episodes was enough.

Miura
Yumiko Miura and Fate Testarossa should hang out.

I can't help but think of Yahari Ore no Seishun Love Come wa Machigatteiru as a Boku wa Tomodachi ga Sukunai clone. This is probably because I dropped Bokutomo about the same time people started to act insufferably superior for truncating it as Haganai instead. So I've only a superficial understanding of I Don't Have Many Friends to begin with. Because RomCom SNAFU—or whatever nonsense we're supposed to call Yahari Ore no Seishun Love Comedy wa Machigatteiru—also features a club of self-described loners, watching it makes me think I've been tricked into resuming a series I abandoned in 2011. Worse yet, I at least sort of still liked the Bokunai characters when I dropped the show. With Yahari Something Something, I definitely like the "popular" twats in the school a lot more than our unsociable, bitter, cynical protagonists. I managed three episodes.

Takashi and Itta
I was already prepared to despise these guys on general principle.

I wanted to like Photokano. All it needed to do was sort of be like Amagami SS with just a little bit of a spine and the solid cast of seiyuu would sort the rest out. How bad could it be? I'm going to break from my normal position here to directly mention some spoilers, but rest easy that they are only spoilers if you are really new to anime, because Photokano doesn't break any new ground—or at least it didn't during its first three episodes. First of all, Potato-kun is only an aspiring photographer because his father gave him his old digital SLR. He's not someone with an actual interest in photography, such as Kosuda from B Gata H Kei. It turns out there are two photography-related clubs at his school: One's a group of irritating asshole stalkers, and the other is comprised of probably-pretty-cool girls. Guess which club Potato-kun joins? Go on. Guess. These other guys in his club have the dubious distinction of being even more annoying than the yahoos in Kaoru's photography club from Ai Yori Aoshi. At least Kaoru's club had a guy obsessed with trains.

Haruka, Takashi, Kazya, and Itta
Those are some contrivances.

Photokano also basks in the most tired and unlikely anime cliches, such as the mid-air collision kiss. The Ga Rei manga featured a mid-air collision kiss, but it presented it as an absurd chain of events for comedic effect. In Photokano, the incident is without irony and offered as just one of those serendipitous (?) moments caused by the irregular rules of anime gravity. I should have figured out before the three-episode mark that I would be better off just waiting for other people to post Photokano screenshots instead of actually watching the show.

Azusa, Youta, and Tsukiko
You are a craven douche, Potato-kun.

I knew I would drop Hentai Ouji to Warawanai Neko because I was unimpressed with the manga. If anything, the anime is worse because Potato-kun is annoying as all get-out. Not only is he one of those anime characters who flusters extremely easily, causing him to yammer excitedly in a wet panic, he's excruciatingly voiced by Kaji Yuki (the pig from Accel World), who is already bad enough as Ellen in the (otherwise excellent) Shingeki no Kyoujin. I acknowledge that Henneko is remarkably popular, but surely its fans simply have much higher Kaji Yuki tolerances than I do, or they're drawn to the flat (ha! I kill me) expressionless girl. Yukarin is in this too, but she's wasted here in my opinion. I only managed two episodes.

Dated 16 October 2012: Summer 2012 season summary

Asuna triple-monitor desktop
This was a proof of concept that I will never use
again (because I bought a fourth monitor).

I get the sense I wasn't exposed to a large portion of the shows that aired this season—an obvious consequence of not watching all that much compared to past seasons. Nevertheless, I'm not convinced I actually missed anything, although I do admit a curious fascination with Sword Art Online (despite the profoundly negative reactions to its cour-ending climax). I haven't yet watched a single minute of it, but I have read the first four volumes of the light novels (which I'm expecting the first two cours to cover). Learning that Kajiura Yuki is providing the music has put the show over the top, and I'll probably marathon the summer 2012 segment to catch up with the autumn 2012 episodes. Naturally, this will change my summer 2012 anime summary rankings, but it is late enough already and I can always reflect the addition with an update, so here goes:

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