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Dated 13 August 2018: I like Overlord better the more I watch it

Nfirea, Enri, and Nemu
Enri put on her best clothes for the visit, but not only did Nfirea
not even bother to change his shirt, it isn't even tucked in.

The third season of Overlord thankfully had only a three-month hiatus following the second season. The break between the first and second season was more than two years, which was entirely too long for casual fans of the anime who had not read the books. A lot of the events that occur in Overlord happen simultaneously or close to it, so it's helpful to keep the timeline and chain of events straight as more and more characters get introduced. That was a lot harder to do when I could barely remember a lot of the context I was supposed to know.

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Dated 6 August 2018: This is Shoujo☆Kageki Revue Starlight

Hikari
This was a blatant effort to encourage anime tourism.

I starting watching Shoujo☆Kageki Revue Starlight thinking it was going to be an idol anime that would contrast nicely when watched back-to-back with Ongaku Shoujo. Yeah, that turned out to be wrong. It's not an "idol anime" at all, or at least it's less so an idol anime than it is a "wack ass giraffe fight club" anime, as I've seen it characterized on the IRC. To tell you the truth, I'm not entirely sure what to call it.

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Dated 30 July 2018: Hanebado! teaches me badminton is full of bitches

Ayano
I love that Ayano has Mystic Eyes of Badminton Perception.

Impressive animation in the PV guaranteed I was going to give Hanebado! a try, despite knowing essentially nothing about badminton. Through four episodes, the animation quality remains higher than I would have expected, and the show itself continues to land solid hits on many of the sports tropes I enjoy. Notably, its star is a preternatural talent who is weighed down by a hefty load childhood drama.

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Dated 23 July 2018: I'm calling my shot: Mutsuko in Major 2nd will turn out to be a five-tool player

Hikaru, Mutsuko, Daigo, and Urabe
Daigo is short.

The second cours of Major 2nd has expanded the story to give more depth to the supporting characters following the first cours' focus on Daigo (Goro's son) and Hikaru (Toshiya's son). As viewers familiar with the original Major might expect, this includes making initially hostile teammates more receptive to the new kids now that they're proving themselves on the field. This does mean revisiting themes about putting expectations on the children of superstars, but it also includes said children showing up kids who didn't know who they up against.

Tashiro and Komori
Damn, these two got old.

Major 2nd does give a lot of attention to its new characters' heritage and there are frequent appearances by characters from the original series. For example, three of the current coaches we've seen thus far have played baseball with Goro. (Okay, four, technically.) Although this is not to say that Major 2nd is dominated necessarily by characters with direct ties to the original Major. Most of the players we've seen so far don't appear to have any connection to characters from the first series.

Mutusko
It's Major. Maybe her parents will die.

Notably, Sakura Mutsuko, Daigo's classmate and the only girl on the Dolphins, is turning out to be an exceptional player in her own right. Initially just someone who sort of tagged along, there have always been hints that she's much better at baseball than anyone realized. Now that she's actually applying herself, it's obvious that she can effortlessly hit for contact, and apparently she's fast on the basepaths, too (legging out a triple on her first base hit). Really, it's just a matter of time before we see her taking people deep, making ridiculous catches in right field, and gunning down opponents who dared to round third. It's an odd thing to speculate about considering how much of the manga is probably already out, but I rather prefer not knowing how things develop for Mutsuko for the time being.

Dated 16 July 2018: Hataraku Saibou is informative, whimsical, and gloriously violent

AE3803
AE3803 doesn't quite know her way around yet.

One of the more pleasant surprises of the Summer 2018 anime season is Hataraku Saibou (Cells at Work!) which anthropomorphizes a human body's blood cells and depicts them as industrious workers carrying out tasks such as ferrying oxygen to different parts of the body and fighting germs.

U1146 and AE3803
You get used to it, newbie.

It's maybe about what you might expect if you're familiar with these sorts of gimmick shows, but the execution is quite good. The setup is suitably clever, and the various characters are endearing. In particular, Hanazawa Kana is excellent as the newbie red blood cell, AE3803. I enjoy her panicky shrieks. They contrast nicely with her white blood cell friend's somewhat staid approach to executing bacteria.

U1146 and Platelet
Platelet is also a fan favorite already.

I'm not sure how long this will stay amusing, but there's certainly no shortage of different stories the show could explore. There are at least five volumes of the still running manga, and three spinoffs, so I'm fairly confident there will be enough source material to keep the show entertaining throughout the season. In fact, Hataraku Saibou briefly held the top stop in my Summer 2018 ranking (until the incredible first episode of Shoujo☆Kageki Revue Starlight raised the barre). I'm not expecting Cells at Work! to remain quite this high for the rest of the quarter, but it is off to a strong start.

Dated 2 July 2018: Continuing shows and sequels of Summer 2018

Emiru and RUR-9500
The matching guitars are actually magic beam rifles. This is not a joke.
P.S. Spoilers.

Seven or eight of the shows I plan to watch during the Summer 2018 anime season are shows continuing from Spring 2018 or sequels. Specifically, Overlord III, One Room 2, and Cinderella Girls Gekijou 3rd Season are sequels, and the shows continuing from last season are Detective Conan, GeGeGe no Kitarou, Major 2nd, Hugtto! Precure, and possibly Piano no Mori.

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Dated 18 June 2018: Previewing new shows for Summer 2018

Yuki
Maybe she has PE first period?

After two strong anime seasons, I'm mostly ambivalent about the upcoming Summer 2018 season. The shows I'm most interested in (Overlord III, Major 2nd, and Hugtto! Precure) are all either sequels or continuations of existing shows. Thanks to the sheer volume of anime that comes out each season now, I'm sure I'll find plenty of acceptably amusing titles to watch, but I'm otherwise merely mildly optimistic about the synopses I've read and the PVs I've watched.

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Dated 4 June 2018: I think I like the idea of Cutie Honey Universe more than I enjoy the show

Honey
Have sword, will travel.

I do appreciate that Cutie Honey Universe exists at all. It's been a good year with regard to the return of old (way old) classics. I'm not particularly familiar with the Cutie Honey franchise, but I've seen enough of the original 1973 Cutie Honey anime and Gainax's Re: Cutie Honey OVAs from 2004 to appreciate that Cutie Honey Universe is a faithful re-introduction of the show to modern anime fans. However, although I enjoy it, I suspect that the return of Cutie Honey might work better in theory than it does in practice for general audiences. I don't feel that Cutie Honey Universe is dated, but it does seem anachronistic. That does contribute to its charm, but I can't help but think I should at least finish watching the 1973 series first.

Tarantula Panther
Tarantula Panther, best tarantula, best panther.

The parts that are probably the most jarring to modern viewers are the occasional fan service gags involving Junpei (the little boy) and Danbei (the dirty old man) as they aggressively pursue perverted opportunities to ogle and grope Honey whenever possible. I hesitate to call them gags because they're not presented as if they're supposed to be comedic moments necessarily, but I can't quite call it fan service either because I'm not sure anyone considers the bits titillating. It's probably more accurate to call them tropes or callbacks to the original Go Nagai manga and anime series. Now, I'm not suggesting '70s fan service staples have no place in our upstanding world of the current generation, but I think I would appreciate an effort to present these blatantly gratuitous scenes in creative new ways instead, despite the risk of alienating those fans who insist on preserving original aspects as a matter of general principle.