Pete asks with regard to Watashi ga Motenai no wa dō Kangaetemo Omaera ga Warui! (No Matter How I Look at It, It’s You Guys' Fault I’m Not Popular!):

There's not a word in your season summary (http://karmaburn.com/?p=5641) about WataMote (Everyone Else's Fault That I'm Not Popular), indeed not even on the whole site. What's up with that?

I've read 43 chapters of the manga and while it was also wrong and funny to me in most of the ways other readers and viewers of the anime have expressed, Tomoko also really isn't a very likeable person and I basically didn't want to be "around" her anymore. So I stopped reading the manga and I didn't bother watching the anime. However, I still like the spinoff 4-koma that's sort of about Yuu, Tomoko friend from middle school who's growing up to become pretty and popular.

I couldn't think of a gouda cheese pun to use for this caption.

Summer 2013: Silver Spoon [1-11] > Uchouten Kazoku [1-13] > Symphogear G [1-13] > Love Lab [1-13] > Genshiken Nidaime [1-13] > Prisma☆Illya [1-10] > C3-bu [1-13] > Turning Girls [1-7] > Detective Conan (701-711) > DokiDoki! Precure (23-34) > RailgunS [13-24] > Dog & Scissors [1-12].

These two are pretty upset even though Yoshino's not pregnant.

Dropped: Gatchaman Crowds (1-9) > Servant x Service (1-3) > Kiniro Mosaic (1-4) > Kitakubu Katsudou Kiroku (1-2) > Gen'ei o Kakeru Taiyou: Il Sole Penetra le Illusioni (1-3) > Chou Jigen Game Neptume The Animation (1) > High School DxD NEW (1-4) > Futari wa Milky Holmes (1-2). WORSE THAN COSPRAYERS: Shingeki no Kyojin (13.5-14).

This chart started out as a joke, but has grown kinda out of control. Of course, the whole ranking anime thing started out as a joke too, and then suddenly five years went by.

Yoshino makes me want to eat smoked cheese more than Churuya ever did.

Gin no Saji (Silver Spoon) was easily the best summer 2013 series that I watched. It was consistently entertaining and I was impressed with how Hachiken's character developed over the show's 11 episodes. Even the quandary with "Pork Bowl" ended up much better than I expected. That was the plot point I had the most reservations about, but I'm quite pleased with how Silver Spoon resolved it.

Five will get you tengu he's going to trash the joint.

Uchouten Kazoku (The Eccentric Family) stands out among the summer 2013 shows for being intelligent about idiots and being strange while feeling familiar. The focus is on tanuki family dynamics, but it turns out the problems fuzzball shapeshifters have with their families aren't too different than those experienced by humans, except perhaps tanuki aren't as quick to embrace Shakespearean revenge tragedies. To be fair, all I really learned about tanuki is that they are dumbasses and that they are easily panicked, but maybe that's all anyone needs to know about tanuki.

Tall-collar service.

More importantly, I learned Mamiko can knock 'em dead better than ever. Her work as Benten was transcendent. I've never wanted to be a decrepit old man more. In fact, thanks mostly to Noto Mamiko's superb work, but also because Benten herself is such straight-up trouble, I'm nominating Suzuki Satomi for 2013 Girl of the Year. I'd also like to mention that Nakahara Mai is better than ever, although I encourage her to take more parts like her role in Jinrui wa Suitai Shimashita and and fewer roles as young boys.

The Shimogamo matriarch is lucky so many dudes wanted to do her tanuki-style.

Senki Zesshou Symphogear G: In the Distance, That Day, When the Star Became Music... had a great ending. Basically, if you didn't like that final episode then you just don't like anime. That said, the show itself did have a few issues. First of all, Dr. Ver's comically evil persona never seemed particularly threatening, except for maybe when we learned he wanted to make babies with Maria. Second, Maria herself turned out to be a bit of a disappointment. I certainly was not expecting her to spend most of the show crying. I guess it's a good thing there's not going to be a follow-up cour devoted to her efforts at repopulating the planet, because she'd probably cry the entire time then too.

Listen, sugar, either go back to whaling on some deadbeats
or help me repopulate the planet, but get to work.

Sorry, Maria really needed to focus more on tearing shit up and coming up with new cape-fu moves instead of all the moping she did. Still, I'll ignore a lot of faults when a show spends most of its time focusing on mahou shoujo whaling on each other while singing. Shirabe and Kirika were endearing even though their fights lost a lot of impact because there was no danger of anyone getting hurt. Mahou Shoujo Lyrical Nanoha StrikerS already demonstrated that providing lots of collateral damage is not a substitute for emotional resonance.

The fan service in Prisma☆Illya gets out of control.

I've already written about the endings to Love Lab, Genshiken Nidaime, and Fate/kaleid liner Prisma☆Illya.

Oh, hey, it's Evangelion's Train of Despair.

Tokurei Sochi Dantai Stella Jo-Gakuin Koutou-ka C3-Bu spent too much time on Yura taking all the fun out of a game, but that was sort of the point. In a way, C3-bu felt as if Gainax wanted to stretch out a Gainax ending as far as they could. Technically, C3-bu did have a Gainax ending, but then they went ahead and made another episode that seemed to contain material I'd usually expect in a standalone OVA. Maybe that's the way it was originally planned, but someone figured at the last minute that it probably wouldn't sell or something.

I finished watching Turning Girls weeks ago.

Ran shows off her crazy metabolism again.

I fell behind on Detective Conan but managed to catch up by the time I finally got this thing written. As for Meitantei Conan itself, it's still a reliable control for comparing shows season-to-season. It does need more Kazuha, though. I was concerned maybe her prolonged absence was related to Miyamura Yuko's longer commuting requirements. (She moved to Australia a few years ago.) I'm not sure if that's a factor, but it appears autumn 2013 starts off with at least four Heiji (with Kazuha in tow) episodes to follow the two that finished up the summer 2013 season. I'm certainly in favor of a six-episode block of Kazuha episodes, but I'm curious if they would have been spaced out instead if Miyamura Yuko still lived in Japan.

Relax, yo. Cure Rosetta has got this.

DokiDoki! Precure did two notable things during the summer 2013 cour. One, it introduced a sass-talking Kugimiya Rie Cure. Two, it raised the stakes in the all-singing, all-dancing 3DCG ED wars. Aside from that, DokiDoki! is turning out to be one of the less interesting Pretty Cure generations, although episode 34 did have some rad Cure Rosetta beatdowns.

This made no sense, but I'll allow it.

To Aru Kagaku no Railgun S needed more SATEN, but I'm glad it found excuses to trot her out in different hairstyles and various street clothes. The ending of the series was rather ridiculous with its casualty-free battle between espers and drones. I guess I was pleased to see SATEN behind the controls of a giant robot, though. P.S. Spoilers.

I already covered Dog and Scissors.

I won't revisit the shows I dropped except to say I also dropped Gatchaman Crowds. This one comes as a bit of a surprise because it seemed so promising after a strong start. However, I was unable to take the villain seriously and never cared what he did. I also did not sympathize with Rui at all nor had any interest in his reasons for crossdressing. The turning point was the episode where Rui is mercilessly beaten for what ended up being a hilariously long time and I realized I had absolutely no emotional investment in any of the characters and was only still watching to see how long Hajime could prolong her violently upbeat attitude. I fell behind after that, and once I learned how disappointed other fans were with the series finale, I decided to simply quit watching altogether.

Hey, sweetie, eyes on the God damn road.

This season summary is a lot more piecemeal than previous ones, but I kinda get the feeling the amount of time required to compile these things does not expand linearly with the number of additional shows watched. Maybe the one I write three months from now for the autumn 2013 shows will be a lot more cohesive and contain greater detail and not be dragged out over several weeks. At least, maybe it will be that way if I continue to watch only three shows. I've got up to 10 I might consider, but I can't see following more than seven for the time being.

Wow. Natsuno is sure in a good mood tonight.

At first glance, Inu to Hasami wa Tsukaiyō and Fate/kaleid liner Prisma☆Illya probably don't appear to have that much in common, but I can think of at least one thing. Okay, TWO things if you include the fact that I finished watching both of them at about the same time and thus went looking for an excuse to force both shows into a single blog entry, but really ONE thing that I wanted to discuss: PERVERSIONS. Oh, baby, let's get it on.

When they point the finger it means you're a rival.

So, Inu to Hasami wa Tsukaiyō. Dog and Scissors. This show made no God damn sense. And I'm not talking about the part where a boy who loves books is murdered, gets his soul trapped in the body of a wiener dog with telepathy, and is adopted by his favorite author. That part I get. What I don't understand is what the deal is with his psycho kid sister and her MAGURO EATAH kitchen knife or the part with the singing maid or Maki the SHINING! idol rival author. And who was the broad in the wheelchair? Really, Dog & Scissors is terrible and somehow only managed to work in three jokes: (1) Natsuno Kirihime (Akiyama Shinobu) is insecure about her small breasts. (2) Natsuno frequently physically abuses Harumi Kazuhito (the dog) with a pair of scissors after he insults her. (3) Natsuno wants to have sex with the dog.

Always with the scissors.

Okay, not really really, but yeah, really. I mean, sort of really? There are a lot more bestiality jokes in Dog and Scissors than I was expecting, okay, even if most of them are just about tsundere bullshit. And while the show does end with a non-ending ending (which is probably why none of the things I mentioned earlier made any sense—they're probably explained in the light novels), it does sort of try to resolve the "romance" sub-plot at the, uh, climax. [SPOILERS] Natsuno gets drunk one night and takes the dog into bed with her, but ralphs all over him before she can force him into doing her human-style. Yes, Kazuhito narrowly avoids inter-species coitus from beyond the grave.

I'm impressed Illya's anime bed isn't made of concrete.

Fate/kaleid liner Prisma☆Illya started late, ended early, but is coming back for more. I had relatively high expectations for Prisma Illya because I liked the manga chapters I sampled. I'm glad that it is returning for another season, because I felt the show only scratched the surface with regard to exploiting the subject matter or letting us know the characters.

Berserker-chan.

Most of us have probably formed some general impression of who Illyasviel von Einzbern is based on the Fate/stay night game, anime, and movie, as well from her appearances in Carnival Phantasm. Still, I think it is accurate to claim that viewers don't really know Ilya very well at all, since much of her personality comes from fairly stereotypical characterizations. Yeah, yeah, I was going to talk about how Inu to Hasami wa Tsukaiyō and Fate/kaleid liner Prisma☆Illya are similar because of perversions. I'm getting to that.

Illya ruins her outfit.

As I was saying, even after Kaleid Liner, we still don't really know Ilya. Probably the main thing viewers will remember about Ilya is her fetish. As an aside, it was at this point in the entry that I struggled to find a way to use the word "cis" as a pejorative in the same sentence as the term "maid-sexual." I suppose it's not that strange of a fetish. I mean, for example, I bet being maid-sexual is a lot more mainstream than being obsessed with cake sex. It's just that Illya's encumbrance is particularly violent.

<&Nakar> To be fair raping maids is a Nasuverse tradition

I guess there's a third thing Inu to Hasami wa Tsukaiyou and Fate/kaleid liner Prisma☆Illya have in common: Both shows could have looked better. Dog & Scissors was obviously low-budget and would have suffered quite a bit from this had the show not already been so low-tier. Prisma☆Illya had really jarring character designs, although I guess it's probably a good thing its mahou shoujo weren't blessed with superlovely character designs. Kaleido Ruby in particular probably would have been too dangerous. Besides, maid rape is easier to play off as a gag when everyone has knobby faces. (See also K-On!) I do want to point out Prisma☆Illya had rad fight scenes like three episodes in a row, though. Because of it, I'm looking forward to more from Silver Link, although I guess this means I might have to watch Strike the Blood now.

Maybe he's heavier than he looks.

The biggest problem I had with Genshiken Nidaime when it began airing was all the recast voices for returning characters. Unfortunately, I never did get used to those changes. I know other people also had trouble warming up to the new characters and the fujoshi-focused turn the series took after the graduation of most of the original cast. Of the new characters, Sue is my favorite (although technically not "new") but she's only good in very small doses doing the sort of thing none of the other characters will do. For example, suddenly disrupting someone's plans via her embrace of the violence of action.

I'm sure it's a mere coincidence.

I get the sense that these various arcs of the Genshiken manga simply did not translate well into the single-cour anime format. The resolution between Madarame and Saki was long-awaited and nicely executed, but it felt odd to place as the eleventh episode because it diminished the importance of the two that followed it. The effect is magnified because I didn't care about the other characters' interests. The neuroses of Hato, the ostensible new main character, frankly feel overwrought and not nearly as important as it was made out to be. Nevertheless, despite all its flaws, Genshiken Nidaime was still one of the better Summer 2013 shows and is a refreshing departure from the standard retread of middle school or high school anime characters and their silly hangups.

Oh. So that's why Hato is so broken.

I have been very impressed with the work of Noto Mamiko this season. She has always been one of my favorites, although I prefer her DARK MAMIKO voice to her soft Shimako types for which she is better known. I was starting to fear that she had been relegated to playing matronly characters as a step towards retirement (voluntary or otherwise). However, she blazed across Genshiken Nidaime at full boost in episode 10 as Hato's old senpai—a minor character, but a powerful one nevertheless.

She's not even afraid of lightning striking her umbrella.

More significantly, her work as Suzuki "Benten" Satomi in Uchouten Kazoku has been MAMIKORE. She's a capricious sex bomb who is too dangerous to be challenged. The presence she lends to the character is particularly pronounced considering how few other female characters there are in the show. She's quite a contrast with both the young (and predictably precocious) Kaisei and with the crossdressing tanuki mom who seems to arouse middle-aged human and tanuki males alike. Benten, though, seems capable of terrifying basically everyone with little effort. Maybe it's because she's not afraid of thunder.

Thank Haruhi Shinobu escaped that Hell hole in the Cotswolds.

I knew in advance that I was going to drop most of these shows, but most of them are at least worth a look. From certain perspectives, a lot of these shows are actually quite good.

I have to admit the OP is kinda cool.

The best show I stopped watching is Servant x Service which has some real appeal, but I dropped it because I didn't like Lucy. Most of the other characters are fine, though. It sort of has the same vibe as WORKING!! which I disliked. Servant x Service doesn't rub me the wrong way like WORKING!! did, but I didn't see a point in watching more Servant x Service when there are so many better shows to watch this season.

This is pretty much what Kiniro Mosaic is about.

Kiniro Mosaic (Golden Mosaic) is cute. Aggressively cute. Obnoxiously cute. Well, yeah; it's a "cute girls doing cute things" show. (As mentioned previously, I'm not a big fan of those.) That's really all the show seems to have going for it. Still, I was much more impressed with the episodes I did watch than I was with the manga.

Kitakubu Katsudou Kiroku (Chronicles of the Going Home Club) is another "cute girls doing cute things" show. KKK appealed to me even less than Kiniro Mosaic because most of its humor seemed to be based on super-overblown reactions to medium-outrageous antics.

Gen'ei o Kakeru Taiyou: Il Sole Penetra le Illusioni (Day Break Illusion) isn't exactly good, but it's also not as bad as its most dismissive critics claim. Yes, it does seem designed to cash in on the popularity of Mahou Shoujo Madoka Magica, but that doesn't necessarily make it a bad show. That said, I did not find it particularly interesting, and was only watching to see if anyone got her head bitten off.

Chou Jigen Game Neptume The Animation (Hyperdimension Neptunia: The Animation) also did not strike me as a necessarily bad show, but I sensed I wouldn't be able to appreciate it without being familiar with the game first. Indeed, its most enthusiastic fans appear to be veterans of the video game. I guess that means it's a good adaptation.

Soup's on.

If you watched the first High School DxD then you know what to expect from High School DxD NEW. It's pretty much the same deal again, but that just wasn't enough this season.

I gave Futari wa Milky Holmes (We are Milky Holmes) a couple episodes to turn itself into first-season Tantei Opera Milky Holmes, but it didn't happen so I dropped it.

Cosprayers Line.

Now we're in the dregs. Despite its huge popularity and strong start, Shingeki no Kyojin (Attack on Titan) really took a dive summer 2013. It doesn't help that it started off with a clip show (episode "13.5"). Notably, it was the worst clip show I have ever seen. I'm not opposed to recaps as a matter of principle. Just as I never skip OPs and EDs, I also never skip clip shows. However, the Shingeki no Kyojin recap episode was so lackluster that I have to conclude nobody responsible for it had the slightest interest in it. Then the week after, episode 14 proved so disengaging that I finally gave up on the series entirely. (This was also partially inspired by my declining opinion of the ongoing manga. I've nothing to look forward to except [SPOILERS] with a bow.) I'm forced to conclude the two episodes of Attack on Titan that I watched summer 2013 were WORSE THAN COSPRAYERS. Congratulations.

I had a screenshot of Eren ready, but nobody wants to see that.

All of the shows I just mentioned are watchable on some level and arguably have positive aspects going for them. However, the summer 2013 season is too good on a whole to waste time with shows that are so flawed or otherwise uninspiring.

Aguri talks the talk.

I've mentioned the best shows I'm watching this season, and the worst ones (that I haven't dropped), but what about the rest? Well, I'm also watching DokiDoki! Precure, Detective Conan, and I watched the seven-episode series Turning Girls.

Maybe Cure Ace really is Queen What's-Her-Name.

DokiDoki! Precure got better during summer 2013 because it sidelined Regina (perhaps her home planet needed her?) and brought in Kugimiya Rie to voice Cure Ace. All that Regina nonsense sucked, so I'm glad to see her go, even though she'll probably be back to fuck up the autumn 2013 cour. It turns out Cure Ace's civilian form is another shrimpy kid, but thankfully there's none of that Cure Muse crap this time around. She's not without her own faults, though. Cure Ace is sort of condescending and talks about Pretty Cure as if she's an old soldier who has been around for a long time and helped develop some of the doctrine. Excuse me, aren't you like 10 years old? Are you sure you aren't pulling these koans out of your ass?

Ran is going to have back problems from bending over so much.

I haven't mentioned Detective Conan much on these seasons summaries lately because the fansubs had fallen so far behind. Well, they're caught up again so Detective Conan can return to its role as my anime control group since it's still as good as it ever was. Shit's going down again this summer. Could use more Heiji and Kazuha, though.

Kaeru is the best Turning Girl because she is the most pathetic.

Turning Girls is good, but—like many gag anime comprised of five-minute webcasts—it's a bit overrated. It's fine for what it is, but much of its success depends on its format. I don't think I could watch an entire cour of full-length Turning Girls episodes. It's great in small doses, but any more would be too much.

Drink water. Drive on.

It took me more than half the season to introduce all the shows I'm watching summer 2013, and I haven't even mentioned all the shows I've dropped. Hopefully I'll be able to knock those out before it's time to do the end-of-season wrap-ups. Or I could just focus exclusively on my latest Pretty Cure re-watching project. Apparently this site qualifies as a Precure blog.

Woofies.

To Aru Kagaku no Railgun S (A Certain Scientific Railgun S) and Inu to Hasami wa Tsukaiyō (Dog and Scissors) don't have much in common except they're both at the bottom of the list of shows I'm watching this season and they both have characters with hime cuts. Oh, and pets.

"Hi. I'm done with my stupid bullshit so the rest of the show
can be about you playing baseball and mahjong."

RailgunS is pretty terrible because it's so contrived. I do feel it is unfair to lambaste the show for its plot holes since most shows reveal pretty sizable plot holes after even cursory inspections, but Railgun S takes itself so seriously that I sort of feel it has it coming. The most egregious examples involve keeping Kuroko on the bench for nearly two solid cours because her teleportation ability would speed the plot along too quickly.

BEST GIRL.

To me, the most damning aspect of this second season of Railgun is that it actually improved after introducing the odious Touma to heroically solve Misaka's little problem. And watch over a kitten. To be fair, viewers looking for a show that is neither pretentious nor too low-brow yet still punctuated by periodic action scenes with satisfyingly serious slugfests will probably find a fair amount of material to enjoy in Railgun S as long as they're not too critical of Misaka's martyr complex or Accelerator's ludicrous villain voice. Me, I'm just watching it for SATEN SATEN SATEN and her easygoing BEST GIRL ways. Now with baseball shirts, variable hairstyles, Internet mahjong, and casual cooking!

It's not quite yet okay if it's you.

Exin asks:

Have you seen [Inu to Hasami wa Tsukaiyou] yet? I saw the advertisement on yourube [sic] before it started, watched an episode and found it refreshingly nice.

Get a room.

Indeed, I am watching and enjoying Dog & Scissors even though it is pretty awful in an Akikan! sort of way (albeit without Grape's horrible voice). This is one of those shows any reasonable viewer is forced to acknowledge as "objectively bad" although it can still be entertaining in a stupid sort of way. It really does have far too many flat-chest jokes and dog-abuse jokes. There's also a lot more foreshadowed bestiality than I was expecting.

Relax. She's only looking for her underwear.

If I have to conclude that Dog and Scissors is "objectively bad, subjectively bad," I think I have to categorize Railgun S as "objectively good, subjectively bad." Anyone who fears his reputation may be damaged by the type of anime he watches will likely loathe both To Aru Kagaku no Railgun S and Inu to Hasami wa Tsukaiyō. However, anime sophomores (i.e., ones who are neither neophytes nor jaded, seasoned, middle-aged veterans) will likely be able to find something to enjoy in RailgunS. On the other hand, the only people likely to enjoy Dog & Scissors are probably either the aforementioned neophytes or the elderly set of anime fans—the poor bastards who have been watching too long and seen too much to still be angry young men—so long their tastes have wrapped around enough and granted them the ability to enjoy just about anything.