Hachiken's actually about to have his mom's home cooking for the first time in ages.

I feel as if I watched too many shows last season. However, there also isn't anything that I regret not dropping. Does that mean the winter 2014 season was particularly good or does it mean I'm not making very good use of my spare time? Maybe it's both. There were quite a few good shows, or at least okay shows with lots of good moments.

Nice boat.

Those of you who know where to find my current rankings may notice that I'm discussing these shows out of order. However, I have a reason for grouping these two dissimilar shows: They invoke mysticism and apply fantasy to otherwise normal settings. Uchouten Kazoku (The Eccentric Family) is about a family of tanuki and their dealings with tengu and other mythical creatures in an otherwise human-dominated world. C3-bu (pronounced "See Cubed" in favor of a thickly accented pun rather than the military acronym "See Three") is about an airsoft club at an upscale girls' school. The socially uncomfortable Yura falls in with a group of weirdos who teach her the Way of Airsoft.

It's also kinda hard to tell her age in these scenes.

I'm not sure how long I will continue this experiment, but I've started watching Jinrui wa Suitai Shimashita chronologically to see if there are new insights to be gained. From a narrative standpoint, the show probably wouldn't work as well for a first-time viewer who decided to watch the anime beginning with the school-days flashbacks. Our sweet female protagonist is also less likeable in these episodes, with her stubborn hostility towards a younger girl she erroneously accuses of petty malevolence.

Y does seem more interesting in chronological order.

I'm not sure if the viewer's reaction to the fairies is any different when watching the show in chronological order instead of broadcast order. I suppose in chronological order, their capricious influence on humans and their environment are more clear. They're still assholes either way.

Fujiko is one of anime's All-Time Babes.

Lupin III: Mine Fujiko to lu Onna is good—refreshingly so. The first two episodes have been solid, and it's such a relief to watch something that's not in the modern moé style. As much as I love Sawashiro Miyuki, I'm still not sure how I feel about her taking over the role of Fujiko. It seems as if Masuyama Eiko still had the role not that long ago, but I see now that the Detective Conan v. Lupin III movie was in 2009. I guess she couldn't do the voice forever. And as much as I love Horie Yui, Sawashiro Miyuki is definitely doing a better job as Fujiko than HOCCHAN did as Honey.

Ghost hime-cut.

Tasogare Otome x Amnesia is a pleasant surprise. The RSS feed for the scanlated releases of the manga has actually been in my aggregator for ages, although I couldn't remember why I added it. (I've never read a single chapter.) I've seen a lot of comments about how SHAFT-like the show is, but I didn't get that sense at all. That SHAFT jive usually annoys the Bejeezus out of me, but I didn't notice any pretentious, intrusive direction in the first two episodes. So far Tasogare Otome x Amnesia has been entertaining and funny, and this season's resident ghost girlfriend is quite charming.

Not a zombie hime-cut.

Some people dismissed Sankarea because it's a Studio DEEN production. I'm not nearly as critical of Studio DEEN as contempory anime fans seem to be. Studio DEEN is responsible for the best show of all time, after all. Not that Sankarea is at all in the same league, but it does seem interesting and well done. I'm not sure how I feel about zombie girlfriends, but definitely less favorably than ghost girlfriends, that's for sure.

Rally 'round the flag, boys.

Medaka Box is this season's most underrated show. It's underrated because so many viewers are incredibly critical of it, dismissing it as an unworthy product of a post-exodus Gainax. It's possible I am more lenient because of the Gainax badge, but I don't think Medaka Box is bad at all. On the contrary, the show is amusing with a thankfully all right male lead. Medaka herself is very likable, although possibly I'm mesmerized by that crazy shit she does with her eyes. Also, Medaka reminds me of Haruhi, only benevolent.

KAMINA LIVES!

I haven't started this season's Detective Conan yet, but if it's as good as it always is, you can expect it to place about here in the early season rankings. [Edit: Followed by the continuing episodes of the Gundam SEED "HD" re-watching project.]

Love at first sight.

Sakamichi no Apollon is one of those "objectively good" shows. I think it's pretty well done, but that doesn't necessarily mean I'll like it. It's pretty obvious the new wimpy kid and the big tough kid are in love with each other, but I have a feeling the show will pretend to be about jazz and Miss Third Wheel instead all season long.

Social Anxiety Poster Boy.

Tsuritama is also "objectively good," but I can't tell if I'll still be interested in the show after a few more episodes of this stuff. I've got books on Byzantine history I've been meaning to read.

Your sword is showing, lady.

Fate/zero from episode 14+ is about as good as where it left off two seasons ago. I expect it to get even better now that it's free to kill off basically everyone. Anyone familiar with Fate/stay night knows how this will end, but I'm curious how ufotable plans to get us there.

I like Cure March, but that hair is tragic.

I think I was biased to dislike Smile Precure! on general principle, but it's turning out to be pretty good. It could use more brawling, though. Smile Precure! is basically Fresh Yes! Precure 5 except with less ass kicking and less illicit romance.

Nyarlathotep is Top Fuel Asumin.

Haiyore! Nyarlko is good because it is such high-energy, but I'm not optimistic enough to believe it can sustain these levels successfully over the course of the season. If I had to guess, I'd suspect fickle anime fans will start to disavow the show by next season.

Needs more pratfalls and less bitching at each other.

Natsuiro Kiseki episode two was a lot better than episode one. It helps that I kinda like Sphere. Nevertheless, I'm not especially enamored with the drama elements. The physical comedy is pretty good, though, as is the characters' almost casual acceptance of magic.

I wonder how M14 feels about M1A?

Upotte!! is pretty bad, but totally watchable. Hey, sometimes I enjoy following a show just because it's anime. And Upotte!! is very anime.

Hey, they found a way to make Potato-kun worse than usual.

Accel World plummeted in my opinion once I saw episode two and realized the entire show was going to be shounen jive and practically doomed to be wall-to-wall exposition and unnecessarily long, tedious fight scenes.

I wasn't expecting continuity.

Queen's Blade: Rebellion manages to be an abomination in comparison with its first two seasons. I don't like the cast as much, and the entire thing just reeks of terrible. It's a pity, because the plot sounded kinda interesting on paper. However, if the rest of the series isn't much better than the first episode, Queen's Blade: Rebellion will be WORSE THAN COSPRAYERS.

Haruka visits Chihaya's spartan apartment in episode 11.

Leading the way by a large margin in autumn 2011 is The IDOLM@STER TV. I am solidly in the camp that believes Idolmaster exceeded all expectations. It doesn't quite win the coveted No Bad Episodes award (thanks for dragging down the curve, Hibiki), and some of the early summer 2011 episodes stumbled in parts, but taken as a whole Idolm@ster performed very well. As much as I enjoyed Hanasaku Iroha in the spring and summer, iM@S is easily my choice for show of the year. Some may argue Mahou Shoujo Madoka Magica deserves Show of the Year, but I believe its baggage will prevent it from being as fondly remembered in the long run.

Chihaya alone in her apartment, episode 20.

I am both disappointed and relieved Idolm@ster did not use a Miki + Producer scandal as its final plot arc—disappointed because I have a perverse interest in drama and trauma in my -rama, but relieved because the actual final arc was a great way to end the season that fit very well with the tone and progression of the show over its 25 episodes. Thankfully, it also leaves the door ajar for another 25 episodes.

Chihaya's apartment, episode 25.

I'm conflicted as to whether Idolm@ster is a harem comedy or not. I have to conclude that it is, but it's a harem comedy the way the original To Heart anime is a harem comedy, and not in the way the insipid ToHeart2 is a harem comedy. Notably, despite more than a dozen nubile girls commanding his attention, Producer is a serious love interest to none of them. Miki might disagree with me here, and although she gives Producer the green light early and often, there is no real romantic or sexual tension between them. All the girls all fond of Producer, but in wholly appropriate ways. The girls want to be good idols for him, but they also want to succeed for their own sakes. Likewise, the girls of To Heart are fond of Hiroyuki as he serially befriends the Hell out of them, but they have their own goals and aspirations independent of him, unlike standard brainwashed harem comedy heroines inexplicably devoted to Potato-kun. Making Producer a part of his idols' lives, but not the center of their attention prevents Idolm@ster from going down a very bad road.

Inori tries to save Guilty Crown.

It's a long drop from the top spot to the second-best show I watched in autumn 2011: Guilty Crown. No matter how many unique things Guilty Crown may try and no matter what nuances it gives its characters, the package as a whole is wrapped in some of the most juvenile, cliché, and outright ridiculous developments. Still, none of these faults necessarily prevent Guilty Crown from being entertaining. If you have no stomach for a show quite obviously intended for male viewers in their early teens, then you will probably not wish to suffer through another cour of Guilty Crown. I, on the other hand, am quite looking forward to the second half of the show in winter 2012. Hell yeah.

You wouldn't hit a girl with glasses, would you?

I almost dropped Ben-to after episode two because I assumed a show based on a fairly thin gimmick would wear out its welcome very quickly. Nevertheless, I kept watching because I was determined to at least learn what Panty was doing in this show. Surprisingly, the characters remained likeable and the premise remained entertaining. The unapologetic Sega pimping helped, too. It was also good to have Horie Yui and Tamura Yukari playing off each other. They make a good duo, and the dynamic is even better in Ben-to than it was in B Gata H Kei.

They'll all be dead in a couple days anyway, de geso.

Shinryaku!? Ika Musume is not as good as the first season, mostly because it felt like it was playing off the same jokes over and over. The first season benefited from numerous examples of one-upmanship as Ika Musume learned or did something more improbable than the last. There were a few such moments this season, but Shinryaku!? Ika Musume paled in comparison to its brilliant first season.

I wonder what Conan saw in the mirror, Ran?

This was a good year for Detective Conan, particularly with regard to the summer's London arc, but the autumn portion was mostly about par for the course. It was also a good year for Ran, the 2011 Girl of the Year. The many Detective Conan OPs and EDs are notoriously cruel to Ran + Shinichi 'shippers, but the ED closing out the autumn 2011 season offers hints as to the shows eventual conclusion. (Detective Conan can't really run forever, right? Right?) Avert your eyes if you fear my psychic powers lend credence to what is admittedly merely a wild guess on my part: Shinichi will not return to his normal age. Ran will suffer the same fate as Shinichi and Haibara and become a small child again herself. Ran will finally learn Conan's secret and the series will end. I'm counting on anime's penchant for packing OPs and EDs with spoilers to ultimately prove me right. Besides, there's a legitimate way out: The numerous Kaito Kid specials this year have been good enough that I think an outright spinoff is a solid possibility. I sure hope Sawashiro Miyuki is prepared to play a scandalously clad high school ojou-sama witch for the next 10 years.

Saber and Irisviel both need hats.

Fate/zero is beautifully animated and basically better in every way possible than its horribly flawed predecessor Fate/stay night (except for lacking a Tohsaka Rin old enough to properly boast her trademark sweater + zettai ryouiki flawless combination). Even Saber manages to seem, well, not smart, but at least cool. And I like Irisviel far more than I expected, probably boosted by her fine taste in vintage automobiles. Still, the Fate/zero dialog dumps are so sonorous, and there's so much of it. I'm sure its second half will do better during winter spring 2012 when everyone starts killing each other.

Probably shouldn't have stood around being useless
while Cure Melody was getting her ass kicked, eh.

Suite Precure♪ surpassed Fresh Pretty Cure somewhere around the Cure Muse arc as the most underachieving iteration of the Pretty Cure franchise, and since then it has done nothing but continue to fall in my estimation. Suite is not quite in freefall, but Lord, it ain't falling up. For over a thousand generations the Pretty Cure were the guardians of peace and justice in the Old Republic. Before the dark times. Before they started letting cats and small children into their order. Also, I really hope impressionable young Suite Precure♪ viewers do not grow up thinking Cure Melody's solution is in any way an appropriate solution to resolving a hostage situation. I hope Smile Precure! does better, but its large starting cast and rumors of additional non-human Cures fill me with dread. (Yeah, I guess I'm racist. Speciesist?) At some point, Kaoru and Michiru have got to get tired of getting snubbed by their inexplicable exclusion from the Sacred Order of the Pretty Cure and crash the show to trash the joint and bust some heads the old fashioned way. Got to.

Go on, Shana. Curse the bitch out.

Shakugan no Shana Final is not that bad. Honest! It's way better than the second season of Shakugan no Shana, okay? Then again, I still rate it below Suite Precure♪, which ought to tell you something. On the plus side, this whole season has been about war, albeit not a very competently executed war. It also doesn't help that J.C. Staff still has trouble with fight scenes. In other news, two of the main characters engaged in sexual intercourse so vigorously one of them required magical augmentation beforehand to prevent permanent injury or possible death from the encounter. True story. [P.S. Spoilers.]

UNIVERSE!

I dropped Boku wa Tomodachi ga Sukunai after three episodes, but I accidentally acquired a copy of episode nine in a game of chance, so I watched that too. The show is all right—bettter than Shana III at least, but I don't have any interest in it. This is unsurprising because I have no interest in the manga either, having dropped it at least three times since it first came on the scene. I also don't like the anime character designs at all.

I won't buy you lipstick because you don't have any lips.

Usagi Drop surprised me by being much better than I expected. After five solid episodes to open the series, it has climbed to the top of the list. However, it is a good thing Rin is such a nice, well-mannered, and thoughtful kid. Were it Daikichi's sister's cousin's devil child twisting in the wind in episode one, I wager that brat would be on her own and the show would have to be about her bouncing from home to home in foster care or something. I heard there's a timeskip in the manga, but I also heard the anime might not make it that far. I've not read any of the manga nor learned any spoilers aside from knowing the timeskip exists, but I wonder if it has to do with how Daikichi's concern for Rin is very paternal yet Rin explicitly rejects him as a father?

Daikon goes in here.

Hanasaku Iroha remains one of my favorite shows this season, although it really needs more Minko and Tomoe episodes. It also needs less of Ohana's spineless uncle and that wretched consultant lady he dragged to the inn—a lot less. Hopefully now that the movie fiasco is over we can move on to more Minko episodes about her unrequited love for daikon and Tohru, preferably without overdoing Tohru's guilty boners for Ohana.

Cure Beat's guitar is full of mercy.

The Cure Beat arc of Suite Precure exceeds expectations, probably because it puts the Cure Muse mystery arc on hold for now. Cure Beat needs to reverse her windmill move, though, and do it Pete Townshend style. I, for one, am pretty glad Suite Precure is turning into FLCL instead of K-On! I'm also impressed by the new transformation sequences and the quality of some of the recent fight scenes.

THE ENFORCER. Well, the parking enforcer anyway.

Wait, did Tanaka Rie just join Detective Conan's menagerie of regular characters? I swear that was her.

I should probably say more about Detective Conan because Something Important happened last season. However...spoilers.

Chihaya appears to use Sony MDR-V6 headphones.

We're headphone buddies!

Idolm@ster needs more song and dance numbers. I presume the absence of music from the first episode was a stylistic choice designed to fit the documentary framework. The show is all right so far, but because there are purportedly many former current Gainax staff members behind the show, I'm hoping for a Gainax ending—possibly with more Bio Concerto. In related news, Chihaya by a mile. Chihaya > Miki > Ritsuko > Azusa > Makoto > Takane > Kotori > Hibiki > Yayoi > Iori > Mami > Ami > Haruka > Yukiho.

The real star of Dantalian no Shoka is Huey's Imco lighter.

You may recognize it from Haibane Renmei
as the lighter Reki uses.

I'm mostly watching Dantalian no Shoka out of general principle because of Gainax. Huey seems all right. I was impressed during the first episode when he revealed he wasn't another damn Potato-kun. However, I am getting pretty tired of Dalian's tsundere bitchiness. Her lack of charisma is going to wear on me, even if she does say "YES" all the time. (Bad gourds don't say "no.")

Masa stole Aoi's haircut.

Uta no Prince-sama - Maji Love 1000% was less gay than I expected, but I can't find a reason to keep watching it. This is not Miracle Train. Miracle Train was actually pretty good. Prince-sama just has Wakamoto Norio playing Wakamoto-Norio-playing-a-character as its main draw. I haven't officially dropped it yet, but I'm also in no hurry to watch the second episode.

Twin Angel needs more Galaxy Angel.

I only watched Kaito Tenshi Twin Angel - Kyun Kyun☆Tokimeki Paradise!! because of Asakawa Yuu. I'm sorry to say the first episode was horrible. Consider it dropped. I'm hoping it turns out to be a lot better later on. I'll start watching again it if I see a lot of people sucking up to @julia320 on Twitter praising the show. This has not happened yet.

This is pretty half-assed choking, Minko.

The best show I'm watching this season is Hanasaku Iroha which basically takes Saten Ruiko from A Certain Scientific Railgun and forces her to work in an inn with some misfits. Theres the MAMIKORE gossipy Tomoe, the bitchy Minko, and the annoyingly meek Nako. There are also a number of adult characters, all with their own problems.

Even the turbo-genki voice is normal.

One thing I've come to enjoy about Ito Kanae is she does a fairly normal voice. Not that I don't enjoy high-fructose Yukana sweetness, for example, but that is a very artificial-sounding voice. Ito Kanae, like Sawashiro Miyuki, uses a more natural voice for her characters. Hanazawa Kana used to have one too back in her Zegapain days, but now she's all about the Hanakana Distortion Field brainwashing viewers.

Ran really should get herself a Surefire flashlight one of these days.

Detective Conan continues this season from episode 610 with a Hattori arc. Where Hattori goes, Kazuha follows, bringing with her a Kansai-ben Miyamura Yuko (Soryu Asuka Langley) that I enjoy far too much. If you didn't know already, Rei and Asuka are both recurring characters in Detective Conan as Ai and Kazuha, respectively. Both need more screentime.

Nice hat.

Moshidora, also known as Drucker in the Dugout or as What If a Female Student Manager of a High School Baseball Team Reads Drucker's Management? (Full title: Moshi Kōkō Yakyū no Joshi Manager ga Drakkā no "Management" o Yondara) is frankly kinda low-budget, but it's refreshing in that it obviously caters towards adults, despite the high school setting.

Minami must be reading an abridged edition. My copy is twice as thick.

As background material, I've actually started reading Peter Drucker's Management: Tasks, Responsibilities, Practices, but I'm only about halfway through the 800-page book. Because Moshidora airs daily and only has 10 episodes, I don't think I'm going to finish reading the book before I finish watching the anime. What I really want to do is read the novel that inspired the anime.

Hibiki works from the stretch, but I didn't see her check the runner first.

Suite Precure is in the process of bringing in more Cures, although the masked Cure Muse seems pretty obviously the sort-of-evil but out of work Siren to me. Personally, I have a feeling Cure Muse will be unmasked soon enough to henceforce be Cure Beat. Whether or not this means we'll see more of Cure Muse after that, I'm not sure, but maybe Suite Precure will handle it like Splash Star managed part-time Cures Cure Bright and Cure Windy.

Suddenly, a magikal girl appears.

Seikon no Qwaser II continues to test the limits of what its viewers can expect and accept. Although off to a "slow" start, there is already a sub-plot about a previously smug bitch who has her soma extracted against her will, turning her quiet and meek while she burns with the subsequent shame and guilt she carries from enjoying the experience. Honestly, though, one thing Seikon no Qwaser has always done well is challenge expectations. There are allegories in the second season that address serious issues in irreverent ways. You don't have to care about those parts to necessarily enjoy Qwaser, but the fact that they're there is one of the reasons why Qwaser is not merely a smutty fan service show its dismissive detractors assume it is. Seikon no Qwaser does for fan service what Shin Seiki Evangelion did for giant robots, what ef ~a tale of memories~ did for moe blobs, and what Mahou Shoujo Madoka Magica did for magikal girls.

So who remembers when Wolverine was canonically five-foot three?

I dropped X-Men after two episodes, but not because it was bad. On the contrary, it was pretty good—way better than the '90s cartoon. Aside from the questionable casting of Hisakawa Aya as Storm, I basically have no issues with the show but I think I'll like it better in its inevitable dubbed incarnation. It's pretty obvious the X-Men anime will probably air dubbed on Cartoon Network or something. Aside from setting the first arc in Japan and, y'know, all the violence, it is very much a western-friendly cartoon. In fact, it's so western that I have to wonder if they set the first arc in Japan because the producers were afraid Japanese viewers wouldn't watch a western property without something they could directly relate to, just as the western producers for the upcoming Akira movie feel compelled to cast caucasian actors in Japanese roles because they're afraid western viewers won't watch something they can't directly relate to.

Togusa loves Ruri. And how.

I started watching Durarara!! because of the hype. I was pleased to discover it is pretty amusing and different—clever, one might say. I also like that Miyuki Sawashiro voices a mute character. But what really sold me on the show was learning the main plot to episode six involved saving a character's favorite ticket scalper—the only man who could get him front-row tickets to his favorite idol's concerts.

Miria's top hand flies off when she bats.

I also started watching Baccano! to see if it's good enough to bootstrap another show with its "by the creators of" bona fides. I was sold on Baccano! from the get-go by Miria's TOP FUEL GENKI. However, I feel compelled to point out Ty Cobb would not have approved of Miria's batting style. Hell, even I don't approve of the Charlie Lau top-hand release school. Long live the Williams Rotation.